Monthly Archives: May 2008

The Apartment Acoustic


Moonshine with a twist – acoustic, and for the first time at The Apartment, KLCC, a certain 17th of May 2008, with Moonshine master Reza Salleh.


Zalila Lee!


Jazzy Bo


…and his Bedroom Sanctuary.


Chimping.


I was pushing ISO6400 on this one; the place was very ambiently lit.


Yuna! Superb voice.


Isaac Entry has got the blues. I love the color in this one!


Mia Palencia makes a guest entry with a cute vocal guitar solo. She rocks, yo!


Two people I bump into like all the time. (Tilt-shifted to get both in focus at F2.0, hooray!)

Project: Have A Cookie!


So I helped to give out the good stuff for Project: Have A Cookie!

This guy ate his cookie before I could take a picture of it.


Now that’s more like it!


A much more patient cookie eater.


Share cookies!


Yes you can have your cookie and eat it too!


Vig takes photos, engineers sound and eats cookies. As I fiddled with the focus ring of my 50mm F1.4, he asked me if it was a manual focus lens. No, I said – he’s a bit low contrast. Am I mean, or did I just have a cookie for myself?


Forgetting to switch back to auto-focus, I learnt my lesson.


Funny thing is, at work, I give out cookies too. Except that digital cookies don’t make anyone happy.


But you know what I really like? A pancake lens! This is Vig’s almost-pancake, the Nikon Lens Series E 50mm F1.8. He had a E-series 28mm F2.8 in his bag, too!

Dig Be Marie


14th May 2008 – GAP presents Marie Digby Live in Kuala Lumpur!


Yes, this Japanese-Irish mix is singing to a MIX FM microphone.


Wow, it can get real lonely up here. Lydia look she looks like you here!


Snap your fingers and toes!


While I sing, my barely-photographed guitarist will tune up.


No, YOUR guitar is out of tune!


She didn’t do any covers other than Rihanna – Umbrella I think.


Girl: Nice boots! Guy: Nice guitar!

Yes, she is as pretty as her videos show, and her voice is just like the videos, too! There was certainly a more Live feeling about this performance since it was just her, her guitar, her guitarist and her guitarist’s guitar.

All landscape shots were shot with my Minolta 70-210mm F4 “beercan” upside down. Yes, upside down! So I can get a higher angle while using the camera like a periscope.

Feeling Feline

I don’t know why, but I am attracted to cats.

I don’t know if it’s healthy.

Sometimes you get cross-breeds and masqueraders. A creature so catty can yet be a dog.


Spot the cat.

They walk by, get some strokes, some attention, some cat calls, and then they leave and jump onto whichever lap they like.

You know the science; cats lick themselves clean and are apparently cleaner than dogs. Or so we’re told.


From the mind of Minolta.

Fact is, you can never catch a cat – it’s pointless. They’ll outlive you 8 times. When it would like to see you for a rub, it will.


Stares.

There are ultimately behavioral differences between cats and dogs – dogs are loyal to their owners. Dogs don’t steal fish. Dogs guard. Dogs wag their tails in happiness.

What does a cat do when it is happy?


Ready to jump?

A01 on the A700

Here’s my test of the new Tamron 70-200mm F2.8 A01, for Canon EF mount, held mount-to-mount in front of my Sony Alpha 700. All shots at ISO1600, Aperture Priority (not that it would’ve made any difference since I had no way of controlling the aperture.) Lens focused to infinity, but its focus would actually be somewhere around 1.3 meters because the lens is too far from the sensor plane and thus has a extension tube effect.

Due to this, the lens being at infinity, the lens may actually be sharper due to it being at infinity with an “extension tube” rather than actual internal focus element movement.


1/125s. My immediate first impression was WOW! This is a contrasty lens. Bokeh is pretty well done in some cases. This shot was brightened on his face though; no sharpening applied. Had I flashed him, the lens would show immense potential.


1/80s. Out-of-focus bokeh test.


1/80s. Brightline bokeh test.


1/50s. It handles lower-contrast nearby subjects nicely, with a certain glow about them. There’s a tinge of LCA but it is done pleasantly, familiar to Minolta lenses I have.


1/160s. Busy backgrounds may be tricky, but I’ve seen worse out of F1.2 lenses.


1/100s. I love the green LCA behind the lens. However the front purplish LCA is almost never as welcome as its green counterpart. Some other lenses have reddish instead of magentaish front LCA, which I prefer.


1/60s. OOF text test.


1/60s. Oops, minor flare due to light leakage from handheld lens mounting. Still, it retains texture well.


I honestly am not a fan of 100% crops, there are other things about a lens to worry about… like the whole picture! Here’s a 100% crop anyway. Brightened as well. Sharp enough for me? You bet.

I love the weight of 1150 grams without the tripod mount. It’s very well balanced! I like how it looks like a giant lightsaber… or an oversized Tamron 90mm F2.8 Macro.

Some have said that this lens focuses slowly for the Canon mount. Tamron puts a motor inside the Canon version. However, the Sony Alpha mount version will be screw-driven (since Tamron hasn’t figured out SSM) so it MAY focus faster (and even faster if future bodies have stronger focus screw drives.)

Oh, and Super SteadyShot will help.

Likewise for the Pentax version – their Anti-Shake will help loads.

Note that the shutter speeds I posted are of almost no relevance – I don’t even remember what focal lengths I shot each picture at! Some people have the capability to tell focal lengths by the perspective of the picture so consult one of them.

The Tamron’s minimum focusing distance of 0.95 meters is amazing – it gets you to 1:3.1 magnification, a record-breaking magnification for a 70-200mm F2.8 lens. Meanwhile, the Sony 70-200mm F2.8G SSM does 1.2 meters, the Minolta 70-210mm F4 beercan does 1.1 meters, the Canon 70-200mm F2.8L IS USM does 1.5 meters.

Now there’s gonna be somebody who complains that there are no hot chicks in any of these pictures. Well sir I say, bring your own model to the shop and test the lens on her.

It’s A Kodak

Now for some full-frame shots from my Minolta Dynax 7, with Kodak Gold ASA 400 film! Somehow I still prefer Fujifilm color.


Sigma 17-35mm F2.8-4 EX, at 17mm F2.8.


Mike’s Carl Zeiss 135mm F1.8! The tiny depth of field gets better on larger formats.


Minolta 50mm F1.4 + soft 1.4x teleconverter = 75mm F2.0 (notice the weird out-of-focus lights.)


dx_myrddraal‘s 50mm F1.7. Still sharp as heck wide open (since it’s stuck there, hope you got its blades unstuck)!


50mm F1.7.


17mm F2.8.

City Geeking


I met cityfish and his army! Can you tell the difference between a close up filter, close-up extension tube and a teleconverter?


Combine them all (minus my Tamron 1.4x teleconverter, which has a nub in front that disallows any other teleconverter to be in front) to get a crazy, crazy magnifier.


A macro rail would be nice…


That’s the N of a Panasonic AA battery.


That’s a screw from the mount of a lens.


And later, I found Ahmik3 returning from a bungee jump with an electromagnetic device transplanted in him.


Codeword HVL-F42AM.

Extraplanetary Vegetation


13th March 2008 – Juke Joint Jupiter at Laundry Bar! This is The Big Pink. The moment they started ripping out Cream gritty blues-rock classics, I knew the next band would be wishing they won’t play White Room, too! They did Cocaine, though, but left out a solo. Don’t give us high hopes like that!

Fortunately, the other songs they covered like Cream – Badge and Jimi Hendrix – Little Wing were in full. I was rocking out so much that I didn’t take much pictures heh.


Nipple-pinchin’ Reuben.


Rockin’ guitar-reviewin’ Lohan of Cats In Love!


Tattoo-bearin’ gig-organizin’ Eddy of Triple6Poser.


Executive-organizin’ Ahmad Izham Omar.


Chain-smokin’ blues-rockin’ Khai.


Even the LCD monitors got the blues.


Ghani of Jack And The Howling Wolf.


This guy was superbly the best performer of the night. He came on with a charismatic roll, like he was gonna breakitdown ‘n a James Brown. He did justice to Ray Charles – Unchain My Heart and Chuck Berry – Johnny Be Goode. Take it to the bridge!

Ziel Beached


Rewind to 3rd March 2008 – Ziel at Beach Club! Naj is a picture-taker. Vivitar 24mm F2.0 Tilt-shift 1/8s ISO3200.

Exposure data included in case you wonder what’s up with the bokeh and how the A700 fares at ISO3200 when used at web size (and correlatively, small prints.)


24mm F2.0 TS 1/60s ISO3200. Mix it good!


24mm F2.0 TS 1/60s ISO1600. Raffique the angry rocker!


50mm F1.4 1/20s ISO1600.


50mm F1.4 1/40s ISO1600. Rudy the drummer I always bump into!


50mm F1.4 1/60s ISO1600. I love the lights in the back.


90mm F4 1/40s ISO3200. Raffique pulls a John Mayer face.


50mm F1.4 1/80s ISO3200. Dodge and burn.


50mm F1.4 1/80s ISO3200. I love flashing at ISO3200 – you get loads of ambient light, especially hairlight, even at 1/80s as well.


50mm F1.4 1/30s ISO3200. John keeps his eyes wary despite all the rocking.


50mm F1.4 1/160s ISO3200. The next band played classic rock and heavy metal covers. I think they were called The Rock Show if the sign says so. I don’t know.


50mm F1.4 1/250s ISO3200. Loved his Gary Moore – Still Got The Blues extended solo!


50mm F1.4 1/15s ISO3200. All hail Sony’s Super SteadyShot!


24mm F2.0 TS 1/125s ISO3200. Depth of field is along the guitar, and on the mike stand the frontman is holding up.


24mm F2.0 TS 1/13s ISO3200. That’s all folks!

Girl Power

17th February 2008: No Black Tie Unplugged with a special flava – girls only.


Zalila Lee!


Yuna (who is cool in that fresh-out-of-Myspace-with-songs-written-years-ago kinda way.)


Najwa the awesome R&B/soul/jazz keyster. However, she tuned down the intensity and emotion of my favorite song of hers, and it lost its impact.

I like intense songs performed… intensely. Don’t hold back!


Mia Palencia, who needs no introduction!


And now, fast-forward to a wet 14th March 2008. Umbrella? You got the wrong not-from-Malaysia artiste.


Who? Which artiste had Adam Carruthers as emcee?


Spot the Cheryl!


Spot the chimpin’ Reta! And what is going on to the right?


Figured out who, yet?


Colbie Caillat, MySpace graduate!


And this is her John Mayer. Spot the Sarah!


She played quite a bit of songs. To me however, there was something missing – song dynamics. It had an unwavering level of energy. I also felt the vocals to be a bit soft, such that the guitars’ consistency overrides and made her performance rather… flat.


The light falloff at the bottom is from the crowd of human heads.


No prizes for guessing which song this prop was released at!