{"id":1363,"date":"2009-12-25T12:29:10","date_gmt":"2009-12-25T12:29:10","guid":{"rendered":"http:\/\/glaringnotebook.com\/?p=1363"},"modified":"2009-12-25T12:29:10","modified_gmt":"2009-12-25T12:29:10","slug":"three-battles","status":"publish","type":"post","link":"https:\/\/glaringnotebook.com\/?p=1363","title":{"rendered":"Three Battles"},"content":{"rendered":"<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul1.jpg\"><br \/>\nThis is what happens when you walk into Studio Zaloon, master poisoner place. Here&#8217;s the Sony 28-75mm F2.8 SAM lens (left) next to the Tamron 28-75mm F2.8 (right).<\/p>\n<p>Mechanically, the Tamron is more convenient, allowing DMF to work on the KM7D\/5D and A100\/A700\/A850\/A900. It also lets you use the AF\/MF switch on the body of any A-mount camera.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul18.jpg\"><br \/>\nHowever, the Sony is far superior optically, wide open! Too bad the SAM motor does not allow manual focus override, nor does it understand that the body is in MF mode.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul15.jpg\"><br \/>\nThen, there is the tiny Minolta 50mm F1.4 Original (left) taking a 49mm filter thread, next to the huge Sigma 50mm F1.4 EX DG HSM (right) taking a 77mm filter thread.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul16.jpg\"><br \/>\nMinolta 50mm at F1.4. It loses contrast wide open and isn&#8217;t always accurate.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul17.jpg\"><br \/>\nSigma 50mm at F1.4. Amazing contrast and bokeh wide open! It also is clear of the annoying brightline bokeh that plagues the Minolta\/Sony 50mm F1.4 and Minolta 50mm F1.7.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul2.jpg\"><br \/>\nMinolta 50mm at F1.4.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul3.jpg\"><br \/>\nSigma 50mm at F1.4. Note the less obstrusive bokeh and vibrant color. Contrast is also pretty high!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul4.jpg\"><br \/>\nThe Carl Zeiss 135mm F1.8 is of course the reference for contrast &#8211; Zeiss lenses are always superbly contrasty, with oodles of fine detail!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul5.jpg\"><br \/>\nWalking out later I bumped into Foong Wai who had the coolest ever M42 camera &#8211; Pentax Spotmatic! She had the Super Takumar 50mm F2 (with which I took this picture; she&#8217;s using my Peleng 8mm F3.5 circular fisheye.)<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul6.jpg\"><br \/>\nThen over at Sony Style Berjaya Times Square, was the new Alpha Flash Light Kit &#8211; buy <b>two<\/b> Sony HVL-F58AM flash units and get this free!<\/p>\n<p>It consists of one bag, one light stand, one shoot-through white umbrella, one black-outside-silver-inside umbrella, and one adapter.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul7.jpg\"><br \/>\nI&#8217;ve never seen anything like this, where the umbrella holder is independent from the flash screw mount holder. Also note the ballhead.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul8.jpg\"><br \/>\nInstructions!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul9.jpg\"><br \/>\nShoot-through.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul10.jpg\"><br \/>\nBounced off the inside of the black-outside-silver-inside umbrella.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul11.jpg\"><br \/>\nThe stand goes up to 2 meters high.<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul12.jpg\"><br \/>\nThat&#8217;s about as high as it goes (note the reflection behind Malek.)<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul13.jpg\"><br \/>\nThe bag also comes with two openings. Cool!<\/p>\n<p><img decoding=\"async\" src=\"http:\/\/www.glaringnotebook.com\/zimages\/chrishaul14.jpg\"><br \/>\nAnd finally, I ended up in the new Nikon Showroom in Berjaya Times Square, just opposite, where I finally tried the Nikkor AF-D 135mm F2.0 Defocus Control lens.<\/p>\n<p>It was not any much heavier or lighter than my Zeiss 135mm F1.8, and just slightly slimmer using a 72mm filter thread whilst my Zeiss had a 77mm filter thread.<\/p>\n<p>Unfortunately, I did not have a SD card to save any pictures from the DC &#8211; however, I&#8217;d say that it was inconvenient if you were manually focusing because each time you change the Defocus Control, it shifts the plane of focus rapidly. So you&#8217;d have to refocus be it AF or MF. This is a pain, just like the Canon MPE-65 where changing magnification shifts the focus plane so much you lose sight of where you are!<\/p>\n<p>And of course, the color &#8211; it was rather muted in the out-of-focus areas. There is something about Zeiss lenses that pick up ambient light, and light that bounces off colored surfaces, that shows in pictures. The Nikkor did not have that.<\/p>\n<p>Oh and Merry Christmas to everybody!<\/p>\n<p>Happy Birthday babe! You know who you are.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is what happens when you walk into Studio Zaloon, master poisoner place. Here&#8217;s the Sony 28-75mm F2.8 SAM lens (left) next to the Tamron 28-75mm F2.8 (right). Mechanically, the Tamron is more convenient, allowing DMF to work on the KM7D\/5D and A100\/A700\/A850\/A900. It also lets you use the AF\/MF switch on the body of [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[13,19],"tags":[],"class_list":["post-1363","post","type-post","status-publish","format-standard","hentry","category-geek","category-pictures"],"_links":{"self":[{"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=\/wp\/v2\/posts\/1363","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1363"}],"version-history":[{"count":0,"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=\/wp\/v2\/posts\/1363\/revisions"}],"wp:attachment":[{"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1363"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1363"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/glaringnotebook.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1363"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}