Author Archives: 2konbla

Not My Average Friday Evening

I was walking around Desa Sri Hartamas sometime after 7pm, 16th January 2015. I was waiting to meet my friend who had a tendency to be late.

I walked past Kantin to the road leading to Souled Out. I was near the place that used to have a burger truck and shisha.

Somebody grabbed me from behind, with his right arm around my neck and asked “kau pergi mana?” I was confused. I turned around expecting to see Tarquin Hashimi?, my friend who had a tendency to surprise me from behind with a bear grab. It wasn’t him.

I asked if he was a policeman, as he was not dressed in uniform as he escorted me, with his arm around my neck, towards Jalan 26A/70A (where the big police station was). He didn’t seem to concerned about cars as we crossed the road, and no cars honked, interestingly. I asked him to show his kad kuasa (Police authority card) but he did not.

He asked where I stayed and I replied with which Taman I stayed in. Then he asked again, louder, and I answered again. He asked what I worked as. I said, “saya buat Android app”. He said “pfft apa benda buat Android app” as if he did not believe me.

I asked what I did wrong and I do not remember what he replied, or if he replied to my question at all.

Upon entering I was brought into the nearest door facing the entrance. The corridor made a sharp left, where I entered the second door on the left. The room had a window with curtains behind it that faced the outside.

There were altogether 5 of us in that room. The guy who grabbed me looked a bit like Aizat Amdan. (I will refer to him as Aizat* from now on.) To my right, a skinny cop who looked like a guy I know called Areef (who I’ll call Areef*). Another guy in a crew cut with a mole to the side of his mouth, to the left of Aizat*. There was another guy on a laptop with a scanner/printer combo.

They asked for my NRIC, which I handed to them. They asked me to empty my pockets and bag.

Areef* asked me to unlock my phone and he went through it, scrolling through pictures. He saw the MyDistress app and asked what it was. I told him it would send a distress signal to PDRM Selangor. He was probably curious since it had a PDRM logo on it.

They saw my Politiko notebook and asked about it, saying it was a benda subversif pembangkang. “Ni geng Adam Adli ni”. I said it was just a “benda free”. Aizat* went through it, and I pointed out the Android app mocks that I had drawn in it. There were also some Transformers sketches and some notes about Copyright Law, which he noticed as well. There was also a list of band names, which they asked about. I said that I had written down the names for one of the open mics I went for.

They saw my camera and Aizat* asked how to turn it on. He then looked through the pictures. I then said that there are pictures there, including of Rock The World. “Gambar gig”, I said.

They asked why I was resisting and I said I was scared. I told them I thought they were going to rob me. They asked, “kau pernah kena samun ke?” I said no. They asked again, and I said no again. They told me that if a robber wanted to rob me, a robber would have immediately gotten out the knife.

Then I said that usually when police stop me they ask me to show their NRIC. Even when I’ve seen foreigners, they do not get grabbed from behind, but they get blocked and asked for identification.

They said that they will not courteously “baaang, minta tolong tunjuk IC” in a soft, gentle voice. They said that they were “tegas, bukan kasar”.

Areef* then took his turn at explaining. He grabbed my wrist and asked, “kalau saya tangkap kamu macam ini, kamu boleh lari tak?” “Tak”, I replied. He asked again, “kalau saya tangkap kamu macam ini, kamu boleh lari tak?” “Er, boleh?” I answered. So he explained that is why they had to grab me from behind on the neck.

So then I asked how I could tell if they were robbers or cops. They said that if I had shouted, “tolong ada orang nak samun saya!” and a member of the public intervened by trying to stop Aizat*, then he or his partner would show his kad kuasa.

They explained that by bringing me to the police station that they were actual cops, and if they were not, they would have been stopped at the entrance (but the main gate was open anyway, with a guardhouse.)

They asked why I was walking around aimlessly. I said that I was waiting for a friend. The crew cut cop said that if I was to wait for a friend, I would sit down at a mamak and have a drink. I explained that I did not want to do that as I was going for dinner later and I’d be full of water. He questioned that. I said I had stomach problems, and they laughed.

Aizat then asked how long I’d been going for gigs. In my head I would’ve said 8 years (actually, 14 now that I think of it) but I stumbled and said 2. He later asked again and I said 3-4 years. So he said he had been going for Rock The World since he was 13, and he only missed one. (So did I, and if he missed Rock The World 1 as well, that would make him around 27.) He then asked me which was the best one and I said, the one with 3 stages where two were facing out and one in the middle. He said that was around 2007-2008.

Then he said that I should not say gigs because gigs ada elemen subversif. The pictures he saw, of open mics, were “muzik budak-budak, bukan gig sebenar. Lain kali jangan kata gig”.

So yes, the police have seen your pictures. My SD card went all the way back to Rock The World 14, so if I saw you perform then, so did Aizat*.

He also saw my Toyworld TW-01B Hegemon, a third-party Megatron toy that transforms into a realistic-looking handgun. Fortunately, he also saw pictures of it in robot mode, so he did not question me on that.

Finally, Aizat* asked that I stand up. He asked me if I knew what I was in the room for. “Er… sebab jalan-jalan tak tentu?” Then he said that it was because I was suspicious and he suspected me of concealing a weapon.

The cop on the computer printed a few copies of the report and got Areef* and Aizat* to sign. Aizat* realized he signed on the wrong part and went “tsssk”.

I did not have any statement or sign anything. They did not ask me to put my thumbprint on their report, either.

I asked if I could see the report (presumably in this context, I do not own the report). They said that I could not. They then asked under which Section of the law that I could see the report, to which I could not answer.

Areef* appeared from behind the window, smoking a cigarette. It was then I realized there was a window there.

Finally, Aizat* walked me out, and said that they’d been getting reports of a Chinese guy breaking car windows around the area. (In retrospect, that has been happening for quite a while now so I do feel sorry for Aizat* and fellow policemen, you haven’t found the right guy yet.)

I was just about to say, “okay see you at Rock The World!” but then my friend called at 7:53PM and so I said “see?” I spoke loudly to my friend how I was brought in to the police station. He picked me up and we went to a warung where Gerak Khas was playing, and we wondered if they ever showed the police arresting people who they thought were suspicious and finding out they were innocent.

I was quite shaken by the experience and nearly in tears as I walked out. My friend picked me up and I was just very, very thirsty. I cannot imagine though for someone who had not read the Red Book once (it tells you what to do when stopped by police) how they would feel! So it was not exactly as I thought it was, of course, and they did not tell me the reason for arrest until the end when he asked me stand up. In fact, I did not even ask if I was under arrest, and I did not ask for any of their names or identification. However, upon re-reading the Red Book, because Aizat* wanted to take me to the Police Station, I was thus under arrest.

I also felt shaken because, instead of shouting for help, I instead checked to see if it was my friend! I should’ve just shouted for help, as the elbow around neck could also be a kidnapper’s posture.

It’s interesting how a policeman’s logic and my logic is different. Similiarly, my mom’s logic and mine are different (her dad was a police officer, but I don’t know if I could call her a “anak kuarters”). So no, I don’t hate police, not because my grandfather was one, but because I understand that we all come from different backgrounds, different experiences, and they’ve been looking for the car-window-breaker for a while now while I wouldn’t think about it except when walking around Desa Sri Hartamas or SS2.

Here’s the link to the Red Book, in English and Malay, that talks about what to do when stopped by police, and your rights:
http://www.malaysianbar.org.my/index.php?option=com_docman&task=cat_view&gid=333&Itemid=120

P.S. I’ve just spoken to a lawyer, who thinks that if they suspected me of carrying a weapon, there should be no reason for them to approach from the front, so I have no case against them. Which is fine by me – I was just curious if there was. So friends, now you know!

Edited 1:45AM, 26th January 2015: A rough sketch, in that POLITIKO notebook. X marks the spot I was grabbed from.

Moonshine: Upcoming ft Rashdan Harith Band, Jumero, Nastia & Ardiv Jauhari / November 2014 Edition


6th November 2014: Moonshine: Upcoming ft Rashdan Harith Band, Jumero, Nastia & Ardiv Jauhari / November 2014 Edition at Laundry Bar, The Curve. Here’s emcee and organizer Reza Salleh!


First act of the night…


Nastia!


A bunch of familiar faces.


They brought a big crowd!


Liyana Fizi!


She was called up to sing a song.


Keyboardist.


This guy was alternating between many different instruments, including the accordion.


The charismatic vocalist!


Yes, that is a microphone stand blurred out in front.


Then came Jumero.


Referred to as those boys who dress for the beach in slippers and play barefoot. I’ve heard this from a few strangers before!


Yet another Ryan on drums.


Just a random shot outside.


Rashdan Harith Band!


Sessioning for them, Simmy.


Ash with dashing hair.


Zaim which… is difficult to rhyme with.


Man this dude can shred!


Ardiv Jauhari.


That is a dope cap and a dope-looking bass.


Drummers. Ah, the main reason to bring a telephoto lens!


This, too, with a telephoto, from the side.


You can tell, though, by how the background subjects are nearly the same size as the foreground subjects, that the picture was taken from far away, and a telephoto was used to get a tight composition. It is the distance that gives that compressed perspective.


For nearer subjects, a 50mm on full-frame gives a perspective quite like this.


Zaim and his band members from Tilu, who I had not seen in a while!

JAMFEST 2014 FINALE – A TRIBUTE TO QUEEN


29th October 2014: JAMFEST 2014 FINALE – A TRIBUTE TO QUEEN, at Backyard Pub, Sri Hartamas.


Rock N Rolla was the band playing all the tributes!


I arrived somewhere in the middle of the first set.


Like a proper tribute should, all songs were Queen covers. Rafique Rashid would’ve been pleased!


Oh and Halloween was two days away!


All shots by the Sony Alpha 7S and Mitakon/ZhongYi Speedmaster 50mm F0.95 Dark Knight Pro edition.


Hot solos!


Then came the charismatic vocalist…


Vijay David!


He was leaping and pouncing all over the stage!


Definitely embodying Freddie Mercury.


Here is a cover with an awesome guitar solo intro, of Another One Bites The Dust.

Feedback Open Mic ft Nakedbreed & Rashdan Harith Band @ The Bee Publika / October 2014 Edition


28th October 2014: Feedback Open Mic ft Nakedbreed & Rashdan Harith Band @ The Bee Publika / October 2014 Edition. Here’s Samantha!


Fadli.


Annatasha.


Ajantaro Dan Ahli Silap Mata (with Hameer!)


Ukulele-slappin’ Az Samad.


He brings a totally different sound to it than you normally hear.


Musicians.


Emcee Hameer Zawawi!


Defusion.


Awesome sludge/groove metal!


First featured act, Rashdan Harith Band!


A to the Z.


Simmy has a very directed glare.


Second featured act, Naked Breed.


Let’s go back 2 centuries in music! (Well, I tire of saying 90s music.)


Once in a while, I enjoy a switchup like this, where the watermark is colored and the picture is not.


The Filters & Mazrul.


Ammal & Ahmol. The ukulele bass sounded very much like an actual bass. I suddenly want one, given that the one thing that puts me off a bass is the scale length!


The Message.


The Filters. Yeah, this is a setup shot, but I find it cute.


Wai Leong & Friends, bringing the jazz.


The Boohoorah.


A Virtuous Cycle.

Laundry X AHM Records X Vans: #ProjectOffTheWall FINALE


23rd October 2014: Laundry X AHM Records X Vans: #ProjectOffTheWall FINALE at Laundry Bar, The Curve. Here’s a sign that Halloween is near!


Thanks to Darren of An Honest Mistake Records, emcee and organizer, who hooked me up with a little job – to shoot the finale of this series, in exchange for some Vans swag. I had come full circl triangle, looking the part of the hipster.


First act of the night: Daiyan Trisha!


Every act was a full band setup.


Gotta love them quilted maple top guitars.


I love how the Mitakon/ZhongYi Speedmaster 50mm F0.95 Dark Knight Pro Edition renders gigs, with a slightly soft vignetting.


Second act was the transformed Talitha Tan!


She now had a bassist!


She was all-out rocking instead of acoustic rocking!


She must’ve told Raja Farouque to unleash the shredder within, and he did.


Collin, guest emcee.


Two uh, random girls in the audience were asked to sing. They blew the audience away!


Random dude asked to do a metal pig squeal.


Talitha and the very limited first edition of her first single, Sigh. I have one such copy, before it received a proper CD label and was properly burnt as an audio CD.

Here’s how you know you have the first edition – it is mistakenly burnt as a data CD.

In other news, her second song is named Okay. I propose the third to be Whatever. So Sigh, Okay, Whatever.


Flare on the 50mm!


The very yeng Michael Leaner.


The Marquee!


7-string 90’s rock goodness.


More flare.


Cool Vans T-shirt.


Last band of the night…


Misgive.


Real punk rock. Not pop-punk. Has some pretty good rhythm variation within songs, too, so you’re not feeling punk lethargy.


That there are Transformers factions within is super cool.


Oh and before I forget, all the drummers! In sequence from left to right, then top to bottom.


Talitha’s first ever full band.


Farouque and Misgive.

More pictures are here!

Artificial Black Hole

Physicists and movie scriptwriters, take heed! I now know how to make a black hole artificially.

Take someone who enjoys Facebook interaction, and hide his/her birthday status. At the stroke of midnight, I… I mean, he/she, would feel a massive empty, lonely, crushing feeling. Something missing.

So it’s technically not an immensely dense mass if it’s nothing. A sucking vacuum pulling in.

At midnight, I felt a strange emptiness – for the past few years, birthdays were just a ritual of replying to birthday wishers on my Facebook wall in the most creative, personal manner possible. The only bummer is when the other person is a Facebook acquaintance that I don’t know what to riff with them about.

My initial idea was to see if somebody would wish me anyway, and see if people would follow and wish, or if people would hesitate since they didn’t know for sure. As it turned out, nobody did! Instead, I got SMSes and private messages, or wishes in person. Nobody took to my Facebook wall, starting a crescendo of wishes.

I was inspired by one such friend who had a birthday wish. I then wished her too, following with this reply:

“That said I am inspired by your omission of birthdate on your profile and am tempted to see what would happen if I omitted mine! Would people pick up on a wall post? Would one person getting the date wrong get me an early birthday flood? Would this mean I would not just be spending all birth day replying to each wisher? And yes, I’ve just hidden my birthday so the scheme I stole from you begins… now.”

Feeling the crushing void, I was tempted to ask that friend why she hid her birthday, but I held back, knowing that if I asked, I might give away that it might be my birthday today. My colleague thankfully withheld temptation to wish on my wall, after wishing me in person, because he knew of my birthday from my office Skype account.

I also went out of my way to wish my friends who were born on the same day, without drawing attention to the fact that we were born on the same day. None of them wished me back. More sadness! I remembered who they were by heart! Such pricks, just like me, who only bothers to wish if I happen to see their birthdays on the birthday bar on Facebook, and only if I have something punny and witty to say!

Thus, I shall not repeat this experiment again. My Facebook profile should say it now, that I was born a certain 19th of December, 1983.

Jalan Yang Diagungkan

So a bunch of roads in Kuala Lumpur got renamed – so there’s at least one road for each Yang di-Pertuan Agong that Malaysia has ever had. I shall shorten the title to Agong and use their common short names where possible.

Although I personally consider it an inconvenience to rename roads, I shall not be seditious.

I shall instead point out the ingeniousness of the roads renamed – to the point that I shall commend DBKL for being consistent in their ingeniousness.

1) Jalan Duta is now Jalan Tunku Abdul Halim, our 5th and 14th Agong. He is our current Agong, and the grand entrance to Istana Negara, is on Jalan Duta. If we find it hard to say the whole name we may abbreviate it to Jalan TAH. I’ll go with Jalan Duo-TAH, because that sounds like Jalan Duta, and Tunku Abdul Halim has been Agong two times. This is consistent with the very ingenious Batu Road becoming Jalan Tuanku Abdul Rahman (Jalan TAR). When they say batu, they mean tar. Clever!

https://www.google.com.my/maps/@3.1589031,101.6707767,3a,75y,274.1h,88.66t/data=!3m4!1e1!3m2!1sjItqkCmBQ7_ZWjxUxTYOpg!2e0?hl=en

2) Jalan Khidmat Usaha is now Jalan Sultan Haji Ahmad Shah. This road is off Jalan Duta and leads to Masjid Wilayah Persekutuan Kuala Lumpur.

https://www.google.com.my/maps/@3.1741838,101.6707276,3a,75y,227.27h,84.18t/data=!3m4!1e1!3m2!1s31uu7hiLbbvNnP2x4_dI8g!2e0?hl=en

3) Jalan Khidmat Setia and Jalan Ibadah to Jalan Sultan Mizan Zainal Abidin. Jalan Khidmat Setia wraps around the old Lembaga Hasil Dalam Negeri (Inland Revenue Board i.e. tax department). I remember queueing up here during tax-paying month, before they started e-Filing. e-Filing is one of the few government websites that work surprisingly, relatively well!

Jalan Ibadah is the road that connects to Jalan Dutamas 1 from Jalan Khidmat Setia.

https://www.google.com.my/maps/@3.1754996,101.6728753,3a,75y,143.51h,78.67t/data=!3m4!1e1!3m2!1sKXShpJ7Wll_CxvVAegYLLw!2e0?hl=en

4) Jalan Ipoh (from Jalan Pahang to Jalan Segambut part) is now Jalan Sultan Azlan Shah. Sultan Azlan Shah, from Perak, was the 9th Agong, and you know how they say Jalan Ipoh leads to Perak? (Well, it doesn’t end in Perak…) So this was kinda ingenious, too. The only problem is that Jalan Ipoh is long enough that they name places along the stretch by what mile they’re on, like Batu 3 Jalan Ipoh. Batu 3 Jalan Ipoh is technically now the end of Jalan Sultan Azlan Shah! So does Batu 5 Jalan Ipoh become Batu 2 Jalan Ipoh?

https://www.google.com.my/maps/@3.171146,101.6932902,3a,75y,257.03h,90.01t/data=!3m4!1e1!3m2!1sxjaN_GDS33TahssIy76BKg!2e0?hl=en

5) Persiaran Duta is now Persiaran Tuanku Syed Sirajuddin. You’d know this road for Hentian Duta, the big bus stop. You can take the bus to Kuala Perlis – and Tuanku Syed Sirajuddin is from Perlis!

https://www.google.com.my/maps/place/Kuala+Lumpur,+Federal+Territory+of+Kuala+Lumpur/@3.1720078,101.6744973,3a,75y,208.59h,68.28t/data=!3m4!1e1!3m2!1s0AvTFjgLr7Zt5V1KevTIGw!2e0!4m2!3m1!1s0x31cc47a8de3f55f5:0x3cbc4380ae4fd9ba?hl=en

6) Lebuhraya Mahameru is now Lebuhraya Sultan Iskandar.

https://www.google.com.my/maps/@3.1481501,101.6812447,3a,75y,320.64h,94.69t/data=!3m4!1e1!3m2!1sB6OH9XpSbqTaXLhYc4CB-Q!2e0?hl=en

7) Persiaran Mahameru is now Persiaran Tuanku Ja’afar. This road leads to Carcosa Seri Negara, originally Carcosa, Sir Frank Swettenham’s official residence, and Seri Negara, the Governor’s Residence (official house of the Governor of the Straits Settlement), later becoming King’s House and then Istana Tetamu.

https://www.google.com.my/maps/@3.1462637,101.68021,3a,75y,179.71h,77.12t/data=!3m4!1e1!3m2!1sVISAEOzfHGJioEZV62a6Mg!2e0

8) Jalan Semarak is now Jalan Sultan Yahya Petra. This road has Jabatan Ukur Dan Pemetaan Malaysia on it, so I guess they should be on the ball with this, since their road is affected.

https://www.google.com.my/maps/place/Jabatan+Ukur+Dan+Pemetaan+Malaysia/@3.171183,101.7173506,3a,52.5y,118.92h,85.14t/data=!3m4!1e1!3m2!1sxr69BMuDyvq7fPq5kkBkog!2e0!4m7!1m4!3m3!1s0x31cc37ef54b9520b:0xf9eafb91b103c8d0!2sJalan+Semarak,+Kuala+Lumpur,+Wilayah+Persekutuan+Kuala+Lumpur!3b1!3m1!1s0x0000000000000000:0x4a80677198e75bfd!6m1!1e1?hl=en

Probably the most ingenious part of this all is the junction where Chow Kit Monorail Station is – it connects Ipoh Road, Pahang Road, Princes Road and Batu Road, but they are now Jalan Sultan Azlan Shah, Jalan Pahang, Jalan Raja Muda Abdul Aziz and Jalan Tuanku Abdul Rahman.

Here’s a quick Google Maps Engine custom map I made that shows the various roads, covering all Agongs plus some Rajas. You’ll see they connect to each other quite well.

https://mapsengine.google.com/map/u/0/edit?mid=zA2bN0OwbSRg.kiU9ZGbWncFk

Septober Dotters’ Division


13th September 2014: LOT 36: Dotters’ Division, at The Bee, Lot 36, Publika.


Dotters D featuring Sachie Amira! Yes that’s a picture I took!


From here, of course.


So here’s Rebecca on drums!


Joey on bass! (Yes, that’s her expression when you call her Joey.)


Linet the keyboardist and band leader.


Melissa the guitarist and singer. My friend asked if she was Indian, because the stage lights were strongly colored most of the time and he couldn’t tell. I had to show him this picture to convince him otherwise.


Jie Er. Okay lah.


The bashful crowd.


Guest vocalist Sachie Amira!


Their repertoire switched up a bit, adding Meghan Trainor – All About That Bass and Jessie J – Bang Bang. They’re having a lot of fun with this song!


This would be the first time I’d bring the Sony Alpha 7s to see them. Linet took this picture of Tiah, albeit misfocused due to the difficulty of manual focusing the Mitakon/ZhongYi Speedmaster 50mm F0.95 for those not familiar.


Linet’s ready for the future…


…while others are forced into slavery.


I think Adrienne took this picture with my infrared Sony Alpha NEX-5. So pretty!


The week after, 20th September 2014.


Denim theme time!


Linet, wardrobe coordinator.


Evelyn Feroza, guest vocalist.


27th September 2014: Ashley Choong(as) on congas.


The other end of the stage was the stickwoman.


Amused Cheras gangster.


I tell you ah…


Yeah, I like slinging my guitars up high too.


I didn’t notice at first, but I didn’t really get any shots of Ashley from the front, other than this one.


It was also David Teoh’s birthday, with drinks to wipe your memory! Minum semua bersih!


Later, at the mamak.


I think it’s obvious who the credit for this picture goes to.


11th October 2014.


Halloween’s the theme, and it feels like my home… except my home is dusty like this all year.


Damn, I’d not seen Rebecca this way before.


…or Melissa, either. *hides*


Member of Parliament for Segambut, Lim Lip Eng, spotted! The Bee, Publika, is in the Segambut constituency.


DJ Khye, guest musician for the night.


I find overexposure one of the few tactics to handle difficult stage lighting.


Bleeps and bloops in front, and a Korg at the back.


I also just bought a 64 GB 95MB/s read, 90MB/s write SanDisk Extreme PRO SDXC UHS-I SD card, allowing me to finally shoot a 120 frames per second 1080p video (albeit in APS-C crop mode, on the A7S.) So here’s a video of them starting Daft Punk – Get Lucky, shifted down to 24 frames per second, with the audio moved 2 octaves up (meaning the sound is slowed down 5 times then sped up 4 times.)


After-show group picture.


Your mission, if you choose to accept it…

Essence of Music


27th September 2014: Essence of Music, at Page 2, Publika.


Page 2 is a quiet little bar above Plan B.


First up: Ethaya, a deejay who used to run the seminal Cloth & Clef in Changkat Bukit Bintang.


Next up: The funkalicious Gregory Ramanado.


He’s got soul and stage presence, no matter the crowd.


Funky beats.


Obligatory camwhore shot.