Now for some full-frame shots from my Minolta Dynax 7, with Kodak Gold ASA 400 film! Somehow I still prefer Fujifilm color.
Sigma 17-35mm F2.8-4 EX, at 17mm F2.8.
Mike’s Carl Zeiss 135mm F1.8! The tiny depth of field gets better on larger formats.
Minolta 50mm F1.4 + soft 1.4x teleconverter = 75mm F2.0 (notice the weird out-of-focus lights.)
dx_myrddraal‘s 50mm F1.7. Still sharp as heck wide open (since it’s stuck there, hope you got its blades unstuck)!
50mm F1.7.
17mm F2.8.
Wow, the 135mm 1.8 looks… kinky
But then, prime lenses are generally hot anyway.
Heh, if you’ve seen the lens itself you’d know it’s more of a macho steel pipe painted black.
hrm.. dun really like the 135 bokeh and the way too distorted till u can’t quite differenciate the subjects on the back.. prob some human legs la.. =P
why does my arm look bloody huge?
KJ: Yeah, not quite Minolta/Leica-ish. Very contrasty too.
Lex: It’s subjected to the distortion of my ultra-wide angle lens.