Now for some full-frame shots from my Minolta Dynax 7, with Kodak Gold ASA 400 film! Somehow I still prefer Fujifilm color.
Sigma 17-35mm F2.8-4 EX, at 17mm F2.8.
Mike’s Carl Zeiss 135mm F1.8! The tiny depth of field gets better on larger formats.
Minolta 50mm F1.4 + soft 1.4x teleconverter = 75mm F2.0 (notice the weird out-of-focus lights.)
dx_myrddraal‘s 50mm F1.7. Still sharp as heck wide open (since it’s stuck there, hope you got its blades unstuck)!
50mm F1.7.
17mm F2.8.
Wow, the 135mm 1.8 looks… kinky 😛
But then, prime lenses are generally hot anyway.
Heh, if you’ve seen the lens itself you’d know it’s more of a macho steel pipe painted black. 😀
hrm.. dun really like the 135 bokeh and the way too distorted till u can’t quite differenciate the subjects on the back.. prob some human legs la.. =P
why does my arm look bloody huge?
KJ: Yeah, not quite Minolta/Leica-ish. Very contrasty too.
Lex: It’s subjected to the distortion of my ultra-wide angle lens.