EXIF included again, for my second round with the A900!

Minolta 24-105mm F3.5-4.5 at 24mm F3.5. I love the light falloff that comes naturally from using non-telecentric lenses on the A900! It only appears sometimes and I don’t know how to replicate it.

Minolta 24-105mm F3.5-4.5 at 105mm F4.5.

This is a 100% crop. I didn’t even know that there was a URL!

Minolta 24-105mm F3.5-4.5 at 105mm F6.3 ISO200. 100% crop, with some Hue Saturation Lightness to reduce the chromatic aberration.

Sony Carl Zeiss 135mm F1.8 at 135mm F1.8. 100% crop! Ahmike shot this.

Sony Carl Zeiss 135mm F1.8 at 135mm F1.8. That’s the Zeiss color right there in the flamin’ red mountain.

Sony Carl Zeiss 135mm F1.8 at 135mm F1.8. More of that fountain!

Sony Carl Zeiss 135mm F1.8 at 135mm F1.8. Focusing accuracy is amazing with the A900 at all distances!

Sony Carl Zeiss 135mm F1.8 at 135mm F1.8.

100% crop. Spot on! Some NR applied.

Minolta 50mm F1.4 at F1.4. Not sure if Ahmike or KJ took this picture. Slightly out-of-focus (operator error.) Szetoo and I and a frame.

IZ A900?

Sigma 24-70mm F2.8 EX DG Macro at 24mm F2.8 minimum focus distance. Very typical Sigma bokeh.

Sony Carl Zeiss 135mm F1.8 at 135mm F1.8.

Sony Carl Zeiss 135mm F1.8 at 135mm F1.8, ISO2000. Noise can be greatly reduced by setting Contrast -3, Saturation -3, Sharpness +3, Lightness -2, Zone -1. It gives a subtle look which contrasty lenses can counter with saturated color.

A 100% crop of the previous picture. The other eye is in focus, not this one, but I show you this crop as it shows more shadow. Without resorting to RAW, this is how clean I could get it with High ISO NR set to Normal.