I had a chance to try the Sony Alpha SLT-A77 thanks to Sony. We had Jakling, a model, work with us to get these shots. This would be a great opportunity to see what this 24 megapixel APS-C sensor camera could do!
The pop-up flash was used to trigger an off-camera HVL-F58AM flash in this one.
Thanks to Michael Chee, our tall Voice Activated Lightstand!
Wide, with the Sony 16-50mm F2.8 DT SSM.
These are all JPGs straight out of the camera.
I think this was the High Contrast Monochrome picture effect.
This, the Posterization (color) effect.
Posterization (black and white).
Soft filter. I love how it treats overexposure!
Smile Detection, with the LCD screen turned to face her so she could see herself smiling. 😀
Bokeh from the 16-50mm is, well, average. 28mm F2.8.
Top: Lens correction off.
Bottom: Lens correction on.
This feature only works for four lenses at the moment:
1) Sony 16-50mm F2.8 DT SSM
2) Sony 18-55mm F3.5-5.6 DT SAM
3) Sony 55-200mm F4.0-5.6 DT SAM II (note that this is not the same as the screw-driven Sony 55-200mm F4.0-5.6 DT)
4) Sony 18-250mm F3.5-6.3 DT
Sony plans to add support for more lenses with firmware updates.
45mm F3.5 ISO100 1/250s.
I tweaked the levels slightly on this one. Note where the shadows are. This is also a portrait-oriented crop of a landscape shot.
This is a 100% crop of the above picture, not from the JPG, but from the RAW, processed with Adobe Camera RAW 6.5. (As always, ACR and Lightroom get the RAW support first.) I have intentionally pulled the shadows and restored the highlights so you get an idea how far a RAW file from the A77 can go. I could’ve pulled the shadows more but it would’ve looked very unnatural.
Sure, the shadows do exhibit some noise, but remember that I pulled it from pretty much black into midtone territory, making it no longer ISO100!
impressive how the detail of hair beside the ear is retained. How many stops did you pull for the shadows? 2?
flysheep: It looks more like 3-4 stops?