Category Archives: Pictures

An Evening With Najib At Dataran Merdeka


I went down to Dataran Merdeka on the 27th of May 2012 to see our beloved Prime Minister of Malaysia, YAB Dato’ Sri Mohd Najib Tun Abdul Razak, or affectionately known as Ah Jib Kor!

It was the Majlis Ramah Mesra Warga Penjaja & Peniaga Kecil 1Malaysia. In other words, a friendly ceremony of hawkers and small business owners.


This was near the fountain. Small crowd.


Then I headed on the grass and towards the light, where our PM was giving a speech!


What a crowd!


Another view.


And then I got to the front with my Sony 135mm F2.8/T4.5 Smooth Transition Focus on the A900. Not the most pixel-dense sensor these days! (That would be the A77, but I didn’t bring that…)

I have to say that Ah Jib Kor, with his cap to the side, has that hipster vibe going on. He’s so cool he doesn’t button his buttons up!


Najib cut the yearly fees of registering and maintaining a license to RM50 per year, if I remember correctly, and announced insurance for them, to massive cheers. I don’t remember which insurance he meant, but I’ll assume it’s not general insurance, which has a fatwa against it, in Malaysia.


To be honest, I was disappointed that I didn’t see Dato’ Jamal Md. Yunos.


Transformasi Najib! I brought home 2 copies of this. I got it from one guy who had 4 copies!


They then presented him with tokens of appreciation.


I’m not sure what’s going on in this portrait – 111Malaysia?


And then something for his wife, Datin Paduka Seri Dr. Hajah Rosmah Binti Mansor.


And then the ladies went wild for old-school rocker, M. Nasir!


He didn’t bring a band. He sang his hits – Hati Emas, being one of them I remember.


Najib headed to a stall to make Teh Tarik, but I took pictures from behind. On the way, fans swamped him to get their Transformasi Najib book signed!


7 ‘blocks’ of rows.


6 rows per ‘block’. I regret not taking another picture to show this clearly.


Empty spots.


Another empty area.


Click image for larger version.

As you can see, there are about 38 seats in a row, in a tent.


Behind the shaded area, there were 19 more rows behind.


However, some rows were not full from left to right and tapered away.


3 non-VIP tents in total.


17 tables, with 10 seats each, in the VIP tent.

Ah Jib Kor also said that there were around 15,000 to 20,000 people present. So how many seats were there?

Number of seats from left to right = 38 seats/tent * 3 tents = 114 seats
Number of rows from front to back = (6 rows/block * 7 blocks) + 19 rows beyond the tents = 42 rows + 19 rows = 61 rows
Number of seats in the VIP tent area = 17 tables * 10 seats/table = 170 seats
Total number of seats = (114 seats * 61 rows) + 170 seats = 6954 seats + 170 seats = 7124 seats

Sure, there were pockets of empty seats, but there were also people lingering outside at the fountain, so they even out.

I hereby state my estimate as 8000 people.

However, the committee who gave out the shirts and registered people should be able to give a much more solid number.


And then it was time for Ah Jib Kor and Rosmah Mansor to leave.


Seriously, he rocks his cap.


Not sure what these bikers do – I can only assume they are part of his security entourage. Not sure what’s up with the face masks though.


Meanwhile, back at Dataran Merdeka, a cleaner wears a DBKL Unit Flying Squad shirt. I wonder how he got it.


As I walked back, I passed an interesting license plate!

FOTOPROJEK : BERSIH 3.0 / RETROSPECTIVE

What: FOTOPROJEK : BERSIH 3.0 / RETROSPECTIVE
Where: Pusat Rakyat Loyar Burok / 50B / The Mansion
When: 26th May – 3rd June 2012
Who: Malaysian contributors from around the world, curated by a panel organized by Fotoprojek.
How Much: Free, I guess?

I quote from the site:

FOTOPROJEK : BERSIH 3.0 / RETROSPECTIVE is a chronicle of the April 28th event as seen through lenses around the world. This week-long project organized by Fotoprojek, a citizen initiative, aims to introduce a subjective point of view from the front lines of the conflict.

The exhibition will showcase over 250 photos by Malaysian contributors from around the world and curated by a panel organized by Fotoprojek. Submissions were open to professionals and amateurs.

This non-partisan photography project aims at presenting the events of the day without bias with the objective of allowing the public decide for themselves on the contents of the photo.

* This is an independent grassroots photography project and does not claim any association to any organisation.

I also interviewed Vignes Balasingam, who is a curator on the panel:

1) What are your thoughts on exhibitions versus online albums? Would you ride the wave and publish pictures soon after, when people are high on the buzz, or wait?

I think online albums are great for reviewing work, to know what is out there and get a lot of information in a short span of time, all at one place. However a print exhibition is always more exciting to me – for one the prints are much larger and something about a photograph being printed out makes it a lot more “convincing”. A digital image feels too fleeting and flimsy.

Also, I feel that at gallery exhibitions, what is interesting is how the images react to the space. You will see that the images curated for this show have been carefully selected for its photographic value but also arranged in a way that makes sense to the space its hanging in.

In this way the image takes on a new life and meaning when in a gallery space by virtue of how it is displayed there. And as curators that is what comes to mind much of the time – about the room and what it feels like, the light quality in the spaces and the mood it conveys, the sizes of the images, how much or little to put into a room, the subject matter, etc.

Therefore, it’s my feeling that while it’s great that photos are up on the Internet the instance something happens, its entirely something else to look at work that has been carefully curated for a hanging exhibition. The element of retrospect and hindsight also plays a greater part in making these exhibitions a more worthwhile thing to visit.

2) Does the ease of sharing pictures that are already online, override the curated exhibition in terms of getting the message across?

As I mentioned above, the hanging exhibition to me is a very unique experience to see the work in its physical form and in a very special context. I also think that the other charm of the gallery exhibition is that its a fleeting “performance”. Its there for a week or two, and then its gone – never to be seen in that context again. So in this way gallery exhibits are really a unique experience.

Online galleries are great as they have the potential to reach a larger audience and have a much longer presence in the social sphere as they dont come down after two weeks. Plus the ability for folks to repost links, etc make it available to a wider audience.

However its message is often fleeting and very rushed. How often we jump from one browser window to another in just seconds. The ability to hold the viewers attention and promote critical thinking in online albums is very weak compared to a hanging exhibition.

3) Knowing that some authorities do not understand the role of media in conflict, would you photograph conflict defensively, or get in on the action no matter what?

I dont think that the incidences between the authorities and media stems from a lack of understanding or misunderstanding. The media has been functioning in Malaysia for a very long time and have had a pretty cordial existence with the authorities. However what happened on that day between the media and authorities was an extraordinary case.

In photographing in areas where there is a hostile reaction to the presence of photographers, it’s a tricky balance because you cant hold back too much or you wouldn’t be as effective as you’d like to be, and on the other hand, if you take too many risks and get caught, you may lose all your work. So its a fine line. I think experience, forward planning and knowing your exit routes make a lot of sense.

4) How does one curate an event where each photographer gets very different pictures and a very different story and experience?

Good question. Contrary to your question, I think most of the images we’ve seen tend to have very similar themes, shots and choices of telling a story. So for us as curators, the challenge was really finding the unique stories from the submissions and curated them in a way that would be fair to what happened on the ground.

You see, this exhibition isnt about putting forward any agenda, neither is it a rebuttal to anything. Its plainly a re-look at the events of the day through the eyes of different photographers and trying to give a larger view of what happened.

The uniqueness of this exhibition really lies in how the photographs are put together. The prime idea we wanted to achieve as curators is to show the work in a new way – otherwise there wouldn’t be any point in looking at it because you can see it all online, right? So the photographs almost are a poetic walk through the experiences once again. The whole idea of this exhibition is to encourage people to abandon the ideas put forth by politics and the media and come to their own conclusions, by themselves, for themselves.

The beauty about photography is in its subjectivity and ambiguity. Through the curating process we hope to make the audience unlearn and rediscover what happened on their own.

I would like to extend a very very special thanks to the dedicated photographers around the world who contributed to this amazing exhibition. Without their dedication in documenting the event and wanting to be part of this by sending in and editing their work, this exhibition would have never been possible. On behalf of the curating team, I’d like to express what an honour it’s been for us to work with you and your exceptional images. You guys and girls rule!

(End interview.)

I’ll be dropping by on another day, probably Sunday the 27th of May 2012.

Also, check out:
My pictures from BERSIH 3.0

Prema Yin, Back


Sometime back on the 2nd of November 2011 I headed down to good ol’ Sri Hartamas (not Desa Sri Hartamas) for the neighborhood pub/gritty rock venue, The Backyard Pub.


Who was on the bill? The electro-jazz-cat Darren Ashley. He cranked up his Kaoss pad for his electro funk dance rock goodness! He did, in a less common moment, veer a bit into his guitar-wielding history and did a cover of Raul Midon – State Of Mind.


However, he was just the opener, for Prema Yin! This funk/soul/rock-and-roll lass has stage presence, having been around the scene for ages (earliest I’d seen her was Aseana Percussion Unit and International Groove Collective!) This would be her farewell gig before she would embark on a tour of the United States.

Of course, in my true fashion, this blog entry is so backdated that Prema Yin had already returned from her tour and is back in Malaysia.


Moe Joe!


Random sexy back. No this is not Prema’s sexy back – which apparently was too sexy for some Malaysians, in her ‘Marilah’ video.


Broken guitar string downtime.


Here with her band, also known as Mordo Blasters in their free time, and also part of the Darren Ashley band.


The night ended with an awesome jam session, with Collin and Alda Tan (of Car Crash Hearts), Ryan and Prema (of the Prema Yin band) and Darren Ashley all on stage. At the very end of the jam, the power went out! I dub it the Backyard Blackout Jam.

Bersih 3.0


On the 28th of April 2012, I went to the heart of KL to photograph the Bersih 3.0 Duduk Bantah demonstration!

The demonstration was done with the request for free and fair elections, and they would sit in Dataran Merdeka (Independence Square) from 2pm to 4pm.


I took the bus to KL. However it did not go to KL, and its last stop was Titiwangsa instead (which, ironically, was its old stop.) So, I took the KL Monorail to KL Sentral, which had an interesting development – would they connect the KL Monorail to whatever it was they were building in the former parking lot?

Surprisingly, the monorail was not extra crowded.


Two crows taking shade away from the action. Coincidentally, the Prime Minister and his deputy were not in KL.


Random yellow things in KL Sentral. The person who designed the posters shouldn’t overlay the Bersih logo on the dark windows of the mosque!

I took the LRT to Pasar Seni, also surprisingly not packed with people. There, I met JD.


There, I bumped into A. Samad Said, National Laureate and Bersih co-chairman.


He was sitting there protesting.


Then, we could hear a commotion, and quickly ran across the bridge to find the procession from KL Sentral/Brickfields had reached Pasar Seni!


Pictures and videos simply cannot do this justice – when I saw the swarm of people coming, I was like WHOA. It was like a scene from Lord Of The Rings in IMAX.

If the Election Commission head and his deputy, who were allegedly members of the ruling party, saw this, they would shit in their pants and resign. Which is pretty much what we asked them to do, minus the shit in their pants part.


100% crop of the above picture. People, as far as the eye could see!

I was taking pictures for a good 10 minutes or so, observing the crowd. It never seemed to end! There were just more and more people, continuously coming in!

I knew that I was one of the few people going, and I knew that many people weren’t going because they wouldn’t be bothered to. And yet, to see so many people of all walks of life, was immensely inspiring! To see them get out of their comfort zone and bear the Malaysian heat, and walk for miles when they’d normally circle a parking lot to get a spot as close as possible to a lift, was amazing!

This was just the people who were on time. Some reached Dataran Merdeka the night before!


You can read about how there was a swarm of people and a sea of yellow, but you have no idea how big that is until you see it for yourself, in real life, from an elevated view.


These guys were in the front of the crowd.

There were blind people, people in wheelchairs, and people with crutches. Despite their disability, they decided to come out on this hot day and show the government that they wanted free and fair elections!


When you are down on the street with the people, you don’t get a sense of scale.


The atmosphere was jovial! The bus honked, and we waved back at them. Passengers on the bus gestured with their thumbs up.


Business for small traders was great! Who said that demonstrations was bad for business?


We passed the side road of Central Market, where this Indonesian fast-food chain was still open. Business was roaring!


Surprise, this area was overrun by Malaysians! On any regular weekend, this place would be overrun by foreign workers.


More entrepreneuring spirits.


We went up the pedestrian bridge to cross to Petaling Street.


View on the other side.


This is a screen capture from a video I recorded. Cool jerseys!


The Unit Amal PAS volunteers helped to coordinate traffic, stopping the crowd to let an ambulance pass.


I then went down to the Bar Council area, where the Occupy Dataran movement was, since they were evicted from Dataran Merdeka.


The police obtained a court order, banning anybody from being in Dataran Merdeka.


Bumped into Davina there!


There were a lot of Chinese people in the crowd!


The Chinese have, traditionally, been known to mind their own business when it comes to matters of the country – usually the Malays would be gungho about these things, but not today. Today, all races came down. Malays, Chinese, Indians and even my Portugese-Chinese cousin. He is not in this picture, though.


Traffic light!


This guy was recycling to save the environment. Well done!


He calls himself the Bersih Man. I prefer Bersih Ranger.


Malaysians showed their love for our beloved Prime Minister.


Yellow bikes!


I had no idea we had such cool-looking safety cars.


Across the bridge that crosses the Klang River, which defines this as the very center of Kuala Lumpur, the Malaysian Federal Reserve Unit (FRU), a.k.a. the Riot Police, were gathered.


There, we could see their trademark ice-cream bell. There was also a FRU officer recording with a video camera.

My late grandfather was a FRU Battalion Commander, among many things.


We then headed nearer to Jalan Tun Perak, where the action was supposed to be at. On the way there was Reggae Mansion, infamous for not letting Malaysians, Asians and Arabians in.


At the MSC Malaysia Cybercentre, ironically not in Cyberjaya.


The Himpunan Hijau group was here, too, protesting against the Lynas Rare Earth Plant.


Also, a labour day protest!

I was quite confused as to where the crowd was going – they seemed to be going in the opposite direction of Dataran Merdeka! As it turns out, Dato’ Ambiga Sreenevasan had declared the rally a success and told everyone to go home.

Since I turned off data on my phone, I didn’t know she said that, and I thought we were going to continue to head to Dataran Merdeka, getting as close as we legally could, and sit down from 2 to 4pm, as was the original plan.


People were mostly sitting down at this point.


Here you could hear chants. Some were “Bersih Bersih!” but some chanted “Reformasi! Tumbang BN!” Technically, Reformasi is legit, as it wants to reform the government, but Tumbang BN (topple Barisan Nasional, the current government) would be out of topic.

Some people complain that Bersih 3.0 was hijacked by the opposition party, and so they would not go. Personally, I don’t care, as I knew what my purpose of going was, and I knew that anyone who already had decided who they would vote for, would not be easily swayed by hearing a speech!

It was here that I started hearing warnings of tear gas. So we started moving away from the area.


We ran to the hills. I covered my nose with an old shirt, folded so I would breathe through 3 layers.


Up in St. John’s Catedral, we bumped into Aunty Annie, nicknamed the Malaysian Lady Of Liberty, because she went to Bersih 2.0 all by herself and was in a picture showing her after being drenched by water cannons. Wherever she went, people came up to her. She was an Internet celebrity, and more importantly, an inspiration! There were a lot of old people in the crowd, and I’m sure her picture encouraged them to go.

At this point I could only vaguely smell the tear gas. It smelt like some bad factory smoke, and seemed pepper-ish, quite like Lay’s Salt & Vinegar potato chips.

Lay’s Salt & Vinegar are my favorite potato chips, so I had no problem with that. 🙂


Malay Muslims, in the compound of St. John’s Catedral.


A Malay Muslim cooling himself off with tap water from the church.


A group of Malay Muslims sitting in front of Ebenezer Bookland, a Christian bookshop.

This is the real Malaysia – Muslims who are not afraid of other religions, not afraid that sitting in front of a Christian bookshop or being in the compound of a church would sway their beliefs and convert them!

Some politicians claim that there is a secret agenda amongst Christians, who form a 10% minority of Malaysia, to try to convert Muslims (which is illegal in Malaysia.) Various methods include solar-powered Bibles and charity dinners!


We walked down the hill to get back and get some real pictures, having not taken any action. There, I saw two men on a motorbike, preparing to record video.

I could understand why Mohamad Azri Salleh, a cameraman for local channel Al Hijrah, ran to the scene with his helmet on – he probably got off his bike and ran to save the policeman! More on that later.


We ended up near Kotaraya, where a kid was crying on her mother.


The McDonald’s was closed. A man behind me shouted at the workers inside, “buka lah apasal tutup? Siapa kata masa demo takde bisnes? Ini bodoh, hanya budak ajaran sekolah UMNO akan berfikiran begitu!” Translated, “why aren’t you open? Who says there is no business during a demonstration? This is stupid, only students of the UMNO school of thought would think so!

UMNO is of course the leader of a coalition of parties, called Barisan Nasional, the only ruling party Malaysia has ever experienced.


We entered Petaling Street, which was still very much alive.


Everybody was buying cold drinks.


I heard a guy dressed in a ninja suit went around saving protesters. I wonder if it was the same guy.


Amidst the tear gas in the background, it was good business for the restaurants on the outskirts of the action.


Yup.


Well, these guys really wear yellow all the time. It is their uniform.

The significance of yellow in this demonstration, was that yellow was the royal color of the King, and that we want the King to ensure free and fair elections, since he has the power to appoint the Election Commission, on the advice of the Conference of Rulers.


We then headed to Jalan Tun Perak, leading to Dataran Merdeka, where the action was!


I bumped into KJ, who stood on his foldable bike and took this picture for me. The red lorry had two water cannons on each side.

Click here for a larger picture.


And so, the tear gas was fired, and people started running away.


This was taken from a side road which I had escaped to.


I had not really experienced tear gas as what others described – at most, I only felt a leaky nose and an incontrollable, mildly stinging feeling in my eyes that made me cry loads. I just needed to open my eyes for a bit to find a pole to rest on, and within 5 seconds of closing my eyes the effect was over.

I carried salt, which was supposed to be put under the tongue, but I found it to have no effect, probably because I wasn’t really exposed. You can only feel the effects of tear gas if you inhale it.

I also passed the salt around, shouting “Garam! Garam! Garam!” which some people took. Most people who were already sitting and recovering were prepared – they had their own salt.


A photographer seemed to have sprained a leg. I gave him my bottle of water. (Also, I forgot my external flash, hence the shadow from my Sigma 12-24mm F4.5-5.6 EX DG on my Sony Alpha 77’s pop-up flash.)


Once you learned how to breathe through a thick towel or layers of cloth, you would have no fear of tear gas. After a round of tear gas and water cannons, the protesters would rush back in again and again! It was quite amusing to watch.

It was quite like a Boss Level – you die the first time because he attacks you strongly, then you learn that you need to hide behind a pillar when he’s shooting rockets, and then you attack him while he’s reloading.


Water cannons. People really feared this, running madly. I didn’t experience water cannons, so I don’t know if it was much worse than tear gas. The way they ran, it was like school, when you ran from the police and didn’t want to be caught. There would be no real consequence or harm, but you ran anyway!


I bumped into Reta, who came extra prepared! She had antacids on her face and a mask (though I doubt that would work.)

We ran through a little alley, past the old Chinese market.


It was not until we heard people shouting, “polis tangkap! Tangkap! Lari!” that we really decided to stop trying to get closer to the action.

It was probably the same for the others – tear gas and water cannons are nothing, compared to the inconvenience of a temporary arrest. We knew from Bersih 2.0 that you’d be arrested for no more than a day and treated to a nice buffet (since this was a PR exercise for the police, as well.) Before you get arrested, you’d get the customary police brutality, which would also be painful.


We walked past this road, where some very, very lost tourists were walking towards the riot police.


We walked past another lane, which I was about to turn into… then I saw a laughably small group of riot police. I then realized why this was a very wrong road to walk into – they had tear gas launchers!

As we walked past another road with riot police, a guy to my left shouted at them, calling them dogs. One riot policeman shouted back at him, and this continued for a bit until we could not see the riot police.


Are you going to be asleep, or are you going to protest for your country, to demand free and fair elections?


We walked up a hill, passed Stadium Negara, and opposite it, a school with a very yellow banner.

We ended up passing Hang Tuah station, then having dinner at Times Square.


We took the KL Monorail to KL Sentral, and JD and I parted ways. Here I took a picture of a random bunch, who, like me, had not gotten over the euphoria of the day.


I took the LRT to Masjid Jamek, but the train would not stop at Masjid Jamek! The background you see that is blurry, is in fact the trapped people in Masjid Jamek who were unable to board any trains!


I got off at Dang Wangi and decided to go back to Masjid Jamek, this time using flash. More trapped people who could not go home!


Finally, at 7pm, the doors opened, and we could get out. Here was the place that was home to a lot of chemical water and gas. Police were walking back to Dataran Merdeka after a long day of chasing people and randomly arresting them (nevermind that they may not have actually defied the court order by entering Dataran Merdeka!)

Interestingly, the crowd broke through the razor wire and entered the Dataran Merdeka, with the cops behind, not even bothering to stop them. It was, of course, a trap, that would allow them to violate the law and get arrested.

Let’s ignore the fact that the court order would in fact be illegal since the Peaceful Assembly Act 2011 only allows the Police to ask that the assembly be done somewhere else instead of denying the venue without suggesting an alternative area. Then again, I am not a lawyer, so take what I say with a pinch of salt.


Rubbish was strewn all over. Some say this was against the literal translation of Bersih, which is clean. However in their defense, the protesters had to run because water cannons were being sprayed!


I took the STAR LRT to PWTC. On the way, I took an overhead shot with flash. Quite cool to see all the policemen’s reflective jackets light up! They were still lingering around the Dataran Merdeka area.

Earlier, the police had used Dataran Merdeka as a ‘detention square‘. How ironic!

There was also the police car incident – videos from different angles can be seen here:
Accident involving police car and supporters

What I understand of it was, that a police car was driving nearby Sogo, when it honked and protesters started throwing stones and police cones at it, breaking the windshield and injuring the driver, causing him to swerve the car into the crowd, injuring at least 2 protesters. An angry mob then started attacking the car, jumping on it, and a helmeted cameraman, Mohamad Azri Salleh, ran to the scene, trying to save the policeman and fend off the mob. However, he was pulled aside and attacked. PKR’s Jingga 13 group defended the police car and brought the policeman to an ambulance. Somebody then shouted that there was somebody trapped under the car, so they overturned the car. Strangely though, none of the videos show the person underneath, but they initially tried to push the car back, so the person could be at the front of the car and pulled out. That is not clear. They also cheered, probably because they were relieved that there was nobody under the car! One woman shouted to get away from the car in case it exploded, so the crowd ran away.

If not for the car accident, I would have said that the rally was a success. It does shake me a little to know of the risks of being in a street demonstration are. However, I knew the risks involved, that anything could happen, that I could’ve been unlawfully arrested or injured, and I was mentally prepared for that.

With all the tear gas, water cannons, police violence, lawful and unlawful arrests, it makes you wonder – what kind of government puts patriots against patriots? We have the patriotic Malaysians who want to rally for free and fair elections, and patriotic Malaysians on duty who want to protect the citizens (but in this case, they have been ordered to protect a patch of grass.) All this could have been avoided if the police had allowed them to gather and sit down on the big field of grass known as Dataran Merdeka. There would have been no casualties, civilian or police, and no damage to public property.

Anyway, if you have decided you want to do more for Malaysia, be a Polling/Counting Agent!

Sign up for the training here. It is open to all citizens of Malaysia – you don’t need to be a member of any political party or the Election Commission, to participate in making sure the elections are free and fair! I’ve gone for the course myself, and learned so much about the electoral system.

I took some pictures from the first Bersih Rally, here:
Vote For Cleanliness!

My Grandfather, The Policeman


I wonder what my late grandfather would think of today’s Royal Malaysian Police Force – today’s FRU, today’s Special Branch, today’s ACA (renamed the MACC) and today’s traffic police, since he was one of them. Some of these, I only knew thanks to this article in the Malay Mail.


I never really asked him about his police days. He had long retired by then, and the only things I knew as a kid was that he received the Kesatria Mangku Negara (KMN) from the Yang di-Pertuan Agong, which hangs proudly in his home, and that he had a shotgun, which he’d use to hunt crows (I can’t remember if this was with the MPPJ or DBKL.)

I also knew that he had to relocate a lot – my mom went to so many different schools!

One of my uncles was in the Royal Malaysian Air Force – I don’t know of all his roles but I know he was a traffic controller once. He often said the sense of duty to the country seeped down to him.


(No, not this uncle.)


Although I only really got to see him during festivities, somehow his values were transferred to me by some sort of osmosis through my mom – he was a teacher, and he being a SB officer might explain my investigative streak. My mom is a very by-the-book person, fastidiously following law, extremely trustworthy and accountable, and far more chivalrous than most men. (I did not inherit the chivalry bit, though.)

Heck, I could hold my mom to her word, which is why I have a problem with women when they don’t hold their word. She was quite like Optimus Prime (the righteous cartoon version, not the live-action ass-kicking version.)


I knew though, briefly, that he was a bit disappointed in today’s authorities. I didn’t ask him more, as I was young and was not yet very concerned about where the country was going, and where the police were not following procedure. Plus it was Christmas and I didn’t want to spoil the jovial mood.

I wonder what he would say now, if I had a T-shirt with Che Guevara’s face on it. I don’t have such a shirt, but I know children of army men who do!

I wonder what he would say about the communists, and the young men and women involved in politics who have been wrongly accused of being communists.


It was because of my grandfather that I do not have a motorbike. My grandfather showed my mom plenty of pictures of motorbike accidents when he was in the traffic police.


Somewhere in Cheras, I think.

The funeral procession was flanked with police motorbikes, and they stopped traffic for us at junctions, which was quite cool!

My other grandfather was also a teacher, and he told me horror stories about the Japanese Occupation, but I thought they were just stories to scare you as a kid. I wish I believed him, and I wish he was still around when I had to learn about it in History, in school.

Don’t worry, I am not sad – this was back in 2009. Though I am sad about today’s police, though.

Rock The World 11: Part 2


Rock The World 11, 10th December 2011, had two stages – here on the big stage was soulful rocker Reza Salleh!


A minor variation of his band with Fook on bass and the usual Hanafi on guitar.


Then came Maddame. When I first heard the chugging riffs, and I saw this dude looking (and rocking) a hell lot like Marty Friedman, I knew I was in for a treat!


I was thinking they were some sort of thrash/groove metal band with Pantera/Black Sabbath influences, until they introduced themselves as a grunge band.


Even when he shreds he looks like Marty Friedman!


Moshpit activated!


Gabba Gabba bring on the disco rock, over at the smaller stage outdoors.


Azure For Janne is hardcore.


Some familiar members from the scene.


Statik, doing powerpop.


The Jespers


…whose self-proclaimed genre is rock stylo.


Stubborn, a punk rock band.


As you might’ve guessed, it is harder to make a diptych of two pictures of a different aspect ratio.


Restraint is hardcore. Wider shots with the Samyang 35mm F1.4.


Pesawat, a high-flying band.


Modread does new wave.


Salam Musik, a ska band – you can always tell them from their necessary ingredients – a horn section, keyboardist and the occasional dreadlocked member.


Add a few more smiley faces for good measure.


Melodisaster.


They brought 90’s rock 2 decades ahead.


Monalyssa.


Corsets


…who are emo hardcore. Pump your fists in the air!


Yes that is what the average emo/hardcore vocalist’s hair looks like when photographed – always in motion. Hardcore!


More to come after this!

More here:
Rock The World 11: The Crowd

I’ve also got pictures from various Pray for Alda Evan Tan gigs, but I’ll post those later as I still need to process them – these pictures above were actually processed before the blog entry before this, and I had just enough time to work out a blog post with pre-processed pictures. He has been moved to the High Dependency Unit from the Intensive Care Unit he was in, which is great news! Nevertheless, we can still help him out – hit the link below:

Pray for Alda Evan Tan

What Do These Bands Have In Common?


Aiqa Halim


Altimet (I did not take this picture; it was taken from Shugar Studios’s pictures.)

An Honest Mistake


Ariff Akhir


Ash Nair (I did not take this picture; it was taken from Baldwin’s blog.)


Az Samad


Broken Scar


Broken Scar (more)


Broken Scar (even more)


Broken Scar (that’s it)


Car Crash Hearts


Cosmic Funk Express

Dina & The Crazy People (aka Dina of Malaysian Idol 1)

DJ Biggie

DJ Cza


Dragon Red


Estranged (featuring Adam on vocals)

Freeloaders Inc
Frequency Cannon

Groovetank


Hannah Tan

Hunny Madu

Ila Damiaa


Isaac Entry


Izzy Mohd

James Baum

Jin Hackman


Joe Flizzow

Kimberly Chin

Liang

Moodswings


Mr. Noisee (thanks to Francis Cobb for this picture)

Narmi

Once Upon A Time There Was A Sausage Named Bob
One Buck Short

P
Q


Rendra Zawawi


Rhapsody

Ryan Lucas


Shelley Leong


Soft Touch

SonaOne

Sufiah Noor (Malaysian Idol Season 1)


The Sofa Sessions

U


V3

Wisdom Of Sorrows

X
Y


Zack Tay

What do all these bands have in common? Well, Alda Tan has played for all of them! I asked him once if he could list all the bands he has played for, from A to Z, even if it is just as a sessionist. He said then, many years ago when he was still involved with JamAsia, that he could at least cover A to M.

I don’t remember the list, but I searched back in my blog for every mention of Alda, and this is what I got. Can you fill in the blanks? What are the bands he played for?

Also, thanks to Adam Lobo, Aliff Screwthebox, David Rafael Buri, Jin Hackman, Joanne Kay, Francis Cobb, and the official Kartel Twitter account social media person, for their contributions to the list.

The band names are linked back to the blog post where I blogged about the gig that the picture comes from – some are re-edited in higher resolution. Some don’t have links because I haven’t blogged about those gigs, yet!


The first gig that I had ever been to was Good Golly, It’s A Gig! and I think the second was The Most Wanted Gig. I wrote:

Estranged, whose reputation preceded them, had the crowd cheering beforehand. I would find out why afterwards! They had influences of my two favorite bands, the Red Hot Chili Peppers and Incubus. Interesting showmanship here too. Here was a bassist with the funky energy of Flea, sliding his bass, jumping about with the bass flying! At one point he was scratching his strings like a turntable! :O

The first song was somewhat grungy with electric guitar effects, followed by a bass-slap-intro metal-Incubus-style tune. Puzzle followed, with well-mannered screams in the bridge. Well mannered in the sense that the vocalist faced away from the crowd for his outburst. 🙂 Velocity played harder with effects, followed by another Incubus-chorused vocals song. They ended with a acid jazzy tune. My search was complete. However, where are any other Malaysian bands that sound like this?!?

The bassist I was referring to was Alda. This was where I first met him! After the gig, I went up to him and complimented him on his awesomeness on bass.

Alda, who is well-known in the underground music scene of the Klang Valley, later went on to organize many gigs in many venues (though I don’t think I could do an A to Z on that one.)

Anyway – he just suffered a stroke. I quote Zona, Alda’s sister:

My brother, Alda Evan Tan – talented musician and music promoter by night, social media community manager by day – turned 29 last month. And just last night, he had a stroke.

I’m living with my husband and my 14 month old daughter in Sydney, Australia – and was sickeningly devastated to get the news around 4am AEST that my brother was having brain surgery. I honestly thought my dad had his iPhone autocorrect go wrong on him. Sadly, no.

This is what happened, an account provided by very close friends of my brother’s (in Malaysian time):

Alda had a capillary burst in his brain last night. Brought to hospital and a brain op was conducted at 1.40am, done by 4.30am. It was successful but he is in an induced coma now to allow to heal. In ICU as well. He collapsed mid-song while jamming.

(Taken from http://www.midnitelily.com/vivo/2012/03/alda-evan-tan-you-will-recover.html)

Sadly, Alda and his family does not have health or medical insurance, so they have large bills to pay. So this is my call to whoever’s reading, to help him and his family out. You can help by sending his family contributions. Click here for details how to.

Back when I went bald to raise funds for charity, Alda did too! (Though he did so at home and recorded a video.)

On a side note, yes insurance does help somewhat – though not as smoothly, in my experience – I had gotten a Guarantee Letter that I could be admitted and the insurance company would pay, but when I was discharged, they said they would not. So I had to pop a vein and berate the insurance company! I had to pay for myself, to be discharged. It was only a few days later that the insurance company reversed their decision.

A government hospital is admittedly cheaper, even for a longer stay, but I still haven’t gotten my insurance claim form for that one! So it seems like you still gotta pay, but with insurance, you might get your money back!

Also, Alda was born in 1983, same year as me, and it scares the shit out of me that you can get a stroke at this age! This just reminds us all again that we’re not getting any younger and that we need to take care of our health. No more sleeping late, eating high-cholesterol food, copious amounts of alcohol and smoke – you might find a better quality of life with more portions of vegetables and fruit, water and exercise.

EDITED 11th June 2012: Alda passed away peacefully at 4:45am.

There will be a wake service at St. Ignatius Church, Jalan SS 25/23, Taman Plaza, 47301 Petaling Jaya, Selangor, Malaysia, at 8pm, on Monday 11th June, Tuesday 12th June and Wednesday 13th June. The funeral service will be at 10am Thursday 14th June at St. Ignatius Church as well. He will be cremated at the MBPJ Crematorium, Kampung Tunku, Petaling Jaya at 11:30am Thursday, 14th June 2012.

Rock The World 11: The Crowd


Rock The World 11, 10th December 2011, back at the perennial venue – Merdeka Stadium!


Before we cut to the bands, however, here are some pictures of the crowd!


There was a stage outside the stadium, with a smaller crowd and some indie bands.


The performances took a break for some drifting action! Yes she is a champ.


There was also a graffiti area where cars would be sprayed, as well as a Volkswagen Beetle gathering. You know, the real Bumblebee.


I got to familiarize myself with the Samyang 35mm F1.4 that I just got, at that time.


Of course, I darkened the midtones a bit, to give the car its proper black sheen.


Later at night…


Spotted on a Beetle.


In between the outdoor car park and the stadium itself was a walkway, where I saw this. I guess the spirit of Merdeka Stadium believes this, too.


On stage, TuneTalk’s Mat Tune mascot, rocking out! Very catchy tune, indeed.


It was also a lunar eclipse that night, not that anybody cared.


The world’s biggest SIM-card-shaped balloon.


Man, why do people who go on stage during Rock The World to play the Guitar Hero challenge always suck? It seems odd at a rock concert. Especially so when hipsters at Urbanscapes are a lot better at Guitar Hero (better than me, even!) By better, I mean, a gripping head-to-head challenge where we alternate between 1st and 2nd a lot in one song, and the audience is not sure who to bet on! One where both players play Hard difficulty, but in fact play Expert casually at home!

Of course, that is emcee Fadhil on stage – very odd that this iteration didn’t have classic emcee Harooooon!

SmooTF!


I finally got the grand master of bokeh – the Sony 135mm F2.8/T4.5 Smooth Transition Focus! This is the undisputed king of rendering a smooth, clean and undistracting out-of-focus area.


It brings my number of primes to 8! Left to right: Peleng 8mm F3.5 M42 circular fisheye, Vivitar 24mm F2.0 OM-mount, Sony Carl Zeiss Distagon T* 24mm F2.0 ZA SSM, Samyang 35mm F1.4 ED AS UMC, Minolta 50mm F1.4 Original, Opteka 85mm F1.4, Sony 135mm F2.8/T4.5 Smooth Transition Focus, Sony Carl Zeiss Sonnar T* 135mm F1.8 ZA.


And, from above, left to right, row by row: Peleng 8mm F3.5 M42 circular fisheye, Opteka 85mm F1.4, Minolta 50mm F1.4 Original, Sony Carl Zeiss Sonnar T* 135mm F1.8 ZA, Samyang 35mm F1.4 ED AS UMC, Vivitar 24mm F2.0 OM-mount, Sony 135mm F2.8/T4.5 Smooth Transition Focus, Sony Carl Zeiss Distagon T* 24mm F2.0 ZA SSM.


The STF is physically a 135mm F2.8 lens, but because of the apodization filter inside that darkens the periphery of the lens, it effectively lets in as much light as a F4.5 lens. Hence the T4.5 suffix (T for effective light Transmission).

Also, the lens is manual focus only – which makes it the only Minolta/Sony A-mount lens that is manual focus. The reason why is because the apodization filter causes a graduation coming from opposite ends, making it impossible for phase-detect AF to work. I’ve explained this in another blog post.

You can tell immediately that the lens is the STF from the back, from the cross-shaped AF screw drive screw (it stops the AF screw drive from turning) and only 5 pins.

The only Sony lenses with 5 pins are:
1) Sony 16mm F2.8 Diagonal Fisheye
2) Sony 20mm F2.8
3) Sony 28mm F2.8
4) Sony 135mm F2.8/T4.5 Smooth Transition Focus
5) Sony 500mm F8 Reflex

There shouldn’t be any reason why any of these lenses don’t get a Distance Integration chip, other than Sony not having the resources or time to migrate them from their Minolta versions.

Interestingly, SSM lenses have a flat screw with a small circle inside, although its purpose is the same – to stop the AF screw drive from turning.

This lens is on the end of every A-mount user’s wishlist – meaning you’d get every other lens you wanted, before this one. It is such a luxury (not that it is expensive) but it is such an optional want-to-have instead of a must-have. It doesn’t help that it’s manual-focus only and doesn’t transmit much. I wonder if they could’ve made a 85mm F1.4 with the same apodization filter, which would bring it down to 85mm F1.4/T2.2!


Normal lenses will draw out-of-focus areas with a hard, solid brush (quite like the Photoshop screenshot on the left.) The STF, however, paints out-of-focus areas with a soft, shaded brush (on the right.)


So here’s one from the Carl Zeiss 135mm F1.8, set to F2.8, on the A900…


…and one from the Sony 135mm F2.8/T4.5 Smooth Transition Focus, set to F2.8/T4.5, on the A900. The difference in rendition should be obvious!

You might also notice that the STF gives a tighter angle-of-view – this is because it extends when focusing, while the Carl Zeiss 135mm F1.8 has an internal focus mechanism. Internal focus mechanisms tend to make the angle-of-view wider as it focuses closer – thus the only time the Carl Zeiss 135mm F1.8 is truly 135mm is when it is focused at infinity.

It focuses to 87cm close with a maximum magnification of 1:4x – interestingly, the Carl Zeiss 135mm F1.8 also does a maximum magnification of 1:4x, but when focused to 72cm close (obviously, due to the wider angle-of-view.)

The STF also uniquely has 2 sets of aperture blades – it uses the set of 10 blades in manual aperture control mode, from T4.5 to T6.7 (stepless, but with clicks), or the set of 9 blades when set to A (auto). However, I have not tested this extensively as I have had no reason to stop down the lens!


Meanwhile, this is from the Carl Zeiss 135mm F1.8 at F1.8. I think you should be able to tell the difference between the STF and any other lens by now.


The background just melts into creamy goodness here.


You can try to put a distracting background, and it smoothens out nevertheless!


How about some harsh sunlight?


Magic hour. Here, the shading of the out-of-focus highlights is obvious. Also, the lens is remarkably free of cats-eye bokeh – where out-of-focus areas on the side become cats-eye shaped instead of perfectly round circles. This might be because the lens is much bigger in diameter compared to a regular 135mm F2.8.


Another street shot. Many would say that T4.5 is unliveable but I would not fear high ISO and a competent RAW processor!


I have to admit, I haven’t been shooting much street photography with a telephoto.


In the right kind of light, it can still get by!


Another indoor shot.


I have always had a shot like this in my mind – I just need to find more appropriate locations.


And then, I took it out in bright daylight…


Congratulations Syazwan and Nadiah!


Unfortunately, as the bush on the right was at the same distance to me as they were, it was in sharp focus. Photoshop CS5.5’s Content-Aware Fill is magical, yes, but it didn’t work so well for this!


This would be the day debut of this lens.


The classic Minolta color is all there.


Note how the sky peeking through the trees is not distracting.


By distracting, I mean like this – this was shot with a Minolta 50mm F1.7. So you see what I mean by bad bokeh? That sharp outline, around out-of-focus highlights, is called brightline bokeh.

It’s The End Of The World, Boom!

The occasional theater goer such as myself would often delight in plays that unravel slowly and fill the audience in with clues to what is happening. A good play surprises the audience by having them assume something and then break that assumption later.

boom, written by Peter Sinn Nachtrieb, is such a play. Add a lot of humor, and you have this, a very entertaining piece! It’s about Jules (Jon Chew), an archetypal nerdy marine biologist who posts an ad on Craigslist – “sex to change the course of the world”. This ad lures Jo (Sharon Lam), a feisty, sex-charged journalism student with a sailor’s mouth. Comets hit the planet, destroying everything and everyone except them (and a fishtank) because they are safe in a bunker.

What is there left to do, but to re-populate the human race?

Easier said than done, since these two are polar opposites, and Jules is possibly gay due to his “non-random erections on exposure to members of the same sex”. Jon is hilarious in his role here, as an absorbed scientist, much like Sheldon Cooper of The Big Bang Theory.

There is moderate wit and punnery, a lot of cursing (to comedic effect) and there are sexual scenes. This is where theater uses self-censorship to build mystery and a puzzle (as opposed to TV or cinema where a lot more is laid out to the viewer… and censorship is applied externally.)

BB Ostella Adam plays Barbara, a narrator who breaks the fourth wall by talking to the audience, and provides very subtle clues as the play progresses. She often defuses the tension by pausing the scene and saying something random, with great comedic effect.

The humor is accessible, and the plot/puzzle factor clever enough for a casual night out. A good play to bring a date to! I don’t know really what else I can say, without spoiling it for the audience, but I’d highly recommend you watch this.

It is no wonder then, that this was America’s most produced play in 2009-2010. The characters still identify themselves as being from states in the US of A (and the Craigslist reference), though even if they localized it, it wouldn’t have made any difference to the story.

Of course, there are other plays about the end of the world – I remember Samuel Beckett’s Endgame – what an overwrought, overserious, draggy play that was.

Anyway! Here’s the official site.

What: boom
Where: Pentas 2, KL Performing Arts Centre
When:
18, 21-25 February 2012 – 8:30pm
19, 26 February 2012 – 3pm
How Much: RM35 (Concession at RM23 for Students, Disabled, TAS cardholders and UNHCR cardholders)
Who: Sharon Lam, Jon Chew, BB Ostella Adam

klpac Box Office: +603 4047 9000
Online Ticketing: http://www.ilassotickets.com/events.php?event=102