Auto-Chinon 135mm F2.8 for K-mount, handheld in front of my A700.
And here’s the huge Sony Carl Zeiss ZA Sonnar T* 135mm F1.8 in Alpha mount versus a little Carl Zeiss Jena 135mm F2.8 in M42 mount.
Here’s the beercan-sized, beercan-weighted Sigma 50-150mm F2.8 EX DC II HSM! For APS-C fans, this is a great lens.
Speaking of the great Minolta 70-210mm F4 beercan, here’s a 100% crop from the A700. This is the center window of the Petronas Twin Towers Skybridge!
And here is its replacement, the Minolta 70-210mm F3.5-4.5 RS, with a focus hold button and a collapsible design. That means it is much shorter than the beercan at 70mm.
Here is the Minolta 75-300mm F4.5-5.6 “big beercan” (extending zoom) with the Minolta 70-210mm F4 beercan (internal zoom). The big beercan adds a focus limiter switch which is great considering it focuses really slowly, even on the A700, while the beercan zips away.
At least it lives up to the name, at 300mm F5.6, with beercan-esque painterly bokeh.
Now for something else – a wide-angle converter put on reverse!
That’s right, the cheapo Octagon 0.45x wide-angle converter.
Now for something rare – the Sigma 28-70mm F2.8 Zen.
Sharp wide open!
Then there’s the Olympus Zuiko Digital 40-150mm F4-5.6 which is identical in size to its brother the Olympus Zuiko Digital 14-42mm F3.5-5.6.
Which, of course, is still much taller than the Olympus E-420 with the super compact Olympus Zuiko Digital 25mm F2.8 pancake lens.
And here’s one shot with the pancake! At F2.8 and on a 2x crop sensor the separation is quite mild. Quite like a 50mm at F5.6 on full-frame.
The Minolta 28mm F2.8 has a nice minimum focusing distance.
The Minolta 35mm F1.4 Original is sharp and yet dreamy wide open.