Author Archives: 2konbla

Rock The World 8: Part 4


Somebody’s lurking in the distance…


Hard rockin’ REVENGE!


Beware his armpits of fury!


They were so grand they managed to get our classic Rock The World 1-2-3-4-5-6-7 and now 8 emcee, Mr. Haaa-rooon!


There were double guitar harmonies… (insert Rock Band Star Power)


…and there were gentle arpeggiated solos.


I have to say, they really took to the stage with a mix of everything that is true and is metal. No life till leather!


Facepaint for guitarists and bassists!


Every song gets a shrieking solo.


It was commonplace to be slightly deaf after.


Drum solo!


These guys were undoubtedly the band with the best showmanship that night.


Oh, but you know who everybody paid to see – Butterfingers!


Greg Henderson, producer, was also filling in for Loque.


Eh, you can shred ah!


They performed a most diplomatic set, doing a song from every album…


…and going back in time when grunge was in.


I could see that Greg could not be happier to have the honor of belting the intro of The Chemistry (Between Us).

Wondered what the Butterfingers looked like back at Rock The World 1?

Yeah, totally grunge and so young and scrawny!


Kadak’s got a pimpin’ outfit.


Emmett goes electric. “Hey where’d you get that old guitar from?


…and he tosses it straight up and it lands on its headstock!


Now that is a rock show!


I bet he knew it would survive.


This is the cue for everyone to put their hands up…


…so he can go to the crowd…


…and surf!

And that ends my Rock The World 8 series. Now back to regular programming!

More here:
Rock The World 8: Part 3
Rock The World 8: Part 2
Rock The Crowd 8

Rock The World 8: Part 3

Here’s more from Rock The World 8, back on the 20th of December 2008!


Bittersweet


…they bring a dancy indie treat.


Who wants a guitar?


I know Hanafi of Estranged does – both his guitars got stolen!


AFUNDI<JARAK>RICH


Azwin Andy. I used the Carl Zeiss 135mm F1.8 with a 2x teleconverter and APS-C mode on the A900 to get 420mm equivalent focal length.


Din and the artificial sun.


The Times bring britpop.


Koffin Kanser and their tribe of nu-metal!


You’d think Aru’s dreadlocks were heavy but here they are flying like a shampoo commercial.


These dreads defy gravity.


Izal of One Buck Short does a Lion-O.


These guys have been doing punk at least since Blue Planet, if I remember. Mooky was reading from a lyrics sheet then! Yes, I feel the need to assert my otai-ness from time to time.


But despite seeing the scene so long I haven’t crowd-surfed before.

(And yes, there is one band that is not included in this sequence – they’re so photogenic I’ll put them first in the last set!)

More here:
Rock The World 8: Part 2
Rock The Crowd 8

Rock The World 8: Part 2

And now, for another set of pictures from Rock The World 8!


Dance To The Radio asserts that they are not the Arctic Monkeys of Malaya. They even have a song for it!


Emcee Fadhil, on stage!

Hmmm, I got the Carl Zeiss 135mm F1.8 so I could get a shot that doesn’t always look like I’m upskirting the performers. This was, of course, before I found the spot…


Every now and then, a lucky fella would step inside and try to collect as many coupons in exchange for money, while a fan blew from below.


Sharpshooter, whose genre is self-explanatory.


Ayu!


Harvesting Space Sounds, who didn’t quite get the crowd. I got their music, though. There were dark influences of electronica ala Depeche Mode.


Upon Arrival, whose genre is self-explanatory.


Then it was Zip Zieller, with kickass hard rock riffs. Here, it was time to say goodbye to the guitar…


No, he did not set it on fire. I can’t tell if he tried…


…and so, he threw it to the crowd!


There was still much sound to be worked out from the effects pedals alone.


We now break from all this rock star action with some sweet singing from Liyana of Estrella!


This Dutch/Chinese/Malay mix is a crowd favorite. The same crowd which was skanking to reggae and moshing to hardcore was now singing along!


It was then time for Republic Of Brickfields


…whose genre is self-explanatory.


Bunkface, a fresh revival of young punk the way Billy Joe Armstrong intended it!


Komplot ramps up the disco!


AAARRRGGGHHH! They Will Kill Us All!


They do indie.


At this point, the stage lights started kicking in…


Purevibracion, which makes the third reggae act.


Rock stars should wear sunglasses, if only to look extra photogenic.


Fadhil gets ready to enter the portal to riches!


Radhi of OAG is enthralled by the crowd.


Same ol, same ol…


Somewhere halfway he forgets to button up his shirt. Perhaps he was parodying a certain Superman-underwear-wearing star. Only Radhi could pull off this, yo!

The barricades were far stronger this year, compared to previous Rock The Worlds where OAG had a record for making barricades break.


The Otherside Orchestra


…with a touch of disco and indie.


More to come soon!

More here:
Rock The Crowd 8

Rock The Crowd 8


Shots of the crowd, of Rock The World 8, 20th December 2008 (always very near to my birthday as tradition!)

Shot, of course, with my birthday present to myself, the Sony Carl Zeiss 135mm F1.8 on the A900, at F1.8.

I also borrowed smashpOp‘s Minolta 28mm F2.8 – it would be the widest lens I’d bring, next to the Minolta 50mm F1.4. Much smaller than my Minolta 24-105mm F3.5-4.5 (which already was tiny!) The next few pictures are from the 28mm…


25 and a day old. Thanks Ahmad Saiful for taking this picture! (Er, why slanted ah boss?)

I was the sole representative from Xfresh that day. No Street Surfers, no nothing. Xfresh was one of the big logos on the Rock The World 8 logo! Thus, by association, I was one of the big logos…


Jambu, or guava. I love this!

Jambu is also a colloquial term for a guy who is so good-looking he attracts guys.


Ramly Burgers, the staple diet of concert goers in Malaysia. I love this, too!


Somebody in this picture has eyes on the back of his head.


Girls leaving, after finding out that Coldplay is not playing.


That’s alright, us guys will stay to rock! Next few shots are with the Carl Zeiss 135mm F1.8… at F1.8.


Minor CA was apparent in this shot, but easily remedied with a duplicated layer, Gaussian blurred with a small radius, then merged with Color blending mode.


The Zeiss is so blistering sharp wide open, on the original shot I can make out what time it is on his watch.


Gotta love the separation! See the Xfresh logo in the top-right corner? That was apparently just me, heh!


More crowds at F1.8.


I then put on the Kenko 2x teleconverter, to get a 280mm F3.5 lens.


Eh cool ‘fro, bro! 280mm F6.3.


Then I whipped out the 50mm at F11 for a crowd-surfing shot. I pity the guy who just went down. Look for his shoe!


Now you see it? I pity the guy who got uh… kicked in the groin.


Moving on!


Wide open, the 135mm F1.8 + 2x teleconverter = 280mm F3.5 wields passable results, with some minor artifacts, like the spherical distortion at the bottom. It’s alright for portraits though!


Back without the teleconverter and just the Zeiss 135mm at F1.8, we have Aru of Republic Of Brickfields and the crowd!

I was denied access to the stage at first, with ROTTW photographers getting full priority. But hey, I represented one entire part of the logo!


Fadhil the emcee, lost in the crowd.


Remember when you were a kid, and getting lost in a crowd would make you cry?


Sometimes, we never find the way.

Haha just kidding but Fat Boys Records should pay the soundman more! (He’s not a random bum, spot his tag!)


Getting up on stage was no big deal – the angle wasn’t great anyway. I expect to see a lot of side shots since the photographers could not move to the front or risk tripping on sound monitors and lights.

The real keepers were from the front, on a raised platform to the side.


Kids these days love posing.


They also love not finishing their drinks, and leaving them on random tables.


Guess who I spotted! Yes, Ted tapes up his camera identification too…

Let the pictures do the bragging, not the label on your camera.


And soon, it was night!


We continued to rock on!


28mm F2.8 1/13s ISO6400. I love how the plastic cups glowed in the light!

New Sony lenses announced at PMA!


(disregard the EXIF data; this was obviously a photograph of a slideshow at PMA. Credit to CNET News.)

http://news.cnet.com/8301-13580_3-10186271-39.html

This doesn’t quite match what I’ve heard, but they apparently are:

Full frame:
1) super telephoto
2) 28-75mm F2.8

APS-C only:
1) 50mm F1.8 DT
2) 30mm F2.8 DT Macro
3) 55-200mm F4-5.6 DT (probably restyled)
4) 18-55mm F3.5-5.6 DT

Of course, I’d rather there be a 30mm or 35mm F1.8 DT lens to give the same angle of view as a 50mm lens on full-frame… quite like the Nikkor AF-S 35mm F1.8G. The only downside to that lens is its minimum focus distance of 30cm – the previous Nikkor AF-D 35mm F2.0 had a minimum focus distance of 25cm and a maximum magnification of 1:4.2x, the biggest of any Nikkor “normal” prime which was not a macro! Of course, the Nikkor AF-D 35mm F2.0 doesn’t autofocus for the Nikon D40/D40x/D60…

Oh, and…
Sigma 18-50mm F2.8-4.5 DC OS HSM and 50-200mm F4-5.6 DC OS HSM for Sony!

This is what DPReview says:
This lens features a new Optical Stabilization unit which Sigma claims will work on Sony and Pentax bodies with in-body stabilization systems.

http://www.dpreview.com/news/0903/09030304sigma18mm50mm.asp
http://www.dpreview.com/news/0903/09030303sigma50mm200mm.asp

The Sigma 18-50mm F2.8-4.5 DC OS HSM is also internal focus and internal zoom!

Both aren’t as spectacular in minimum focus distance (MFD), though, with the Sigma 18-50mm F2.8-4.5 DC OS HSM having a plain 30cm MFD instead of the fantastic 20cm MFD of the Sigma 17-70mm F2.8-4.5 DC and Sigma 18-50mm F2.8 DC. Even the Sony 55-200mm F4-5.6 DT bests the Sigma equivalent at a 95cm MFD.

Oh, and the Sigma 10-20mm F3.5 EX DC HSM is the brightest ultra-wide DT lens we’ve ever had. Sigma seems to be going back to 82mm filter sizes though.

X-Gigged


Xfresh X-Gig, 23rd August 2008, at Zouk – the finale for the first round of the X-Gig series! This is Emir of Throne Away, making an appearance with Stereo Socket.


They play shoegazer music. Though I think this guitar isn’t post-rock enough, it needs to be pimped with a few switches!


The crowd.


Robot Asmara. Ya saya ingin berasmara!


For some reason, when there is a big band with a keyboardist and female singer, it tends to be disco-type indie. Which it was!


Then, it was Brit-type indie, with The Times. It was also the time to start pushing barricades!


The vocalist hopped on above the barricades anyway, and surfed away…


Then it was time for Duan of Seven Collar T-Shirt to break out classic singalongs like Faith.


Ham, Xfresh DJ and effects master (Summary is always fun to watch.)


Smek, with Killer Calculateur, delivers many many more songs, but each song is short – it could only be hardcore. Bang bang double bass double bass riff riff shout shout next song.


Minority Against Radio Oppression. At least they can get on radio, as MARO!


Meng of Love Me Butch got on top of a gig hard case to do this.


I love how they position themselves all over the stage – the bassist is gaining elevation by stepping on the monitor.


It’s almost as if Syahrul knew where to stand, to get the backlight.


Did somebody say Barricade? Yep, the metal joints broke…


Another elevated shot. Gotta love their attention to performance details; they are easily the most photogenic band I’ve seen! (Besides their solid nu-metal/emo tendencies.)


Psst… we’re back.” whispers Loque to Emmett. The Butterfingers then rip out some classics (the violin tells you exactly what song he is going to play.)


Dude, come back and rock alright?


I finally met Kenchill and discovered that he had the same beard I had, which grew towards my right no matter what I did.

Reign For Us


Sometime back on the 16th of August 2008 – the Xfresh X-Gig at Borneo Rainforest Cafe!


Secret Love Cookies.


It wasn’t all guys in the crowd, yay!


Skudap Skudip. Only with ska do you get a keyboardist’s hands jumping up and down like that.


Jom kita berjoget!


Grey Sky Mourning. The reason why all these shots seem a bit different, is because they were shot mostly at high shutter speeds between 1/200s and 1/2500s, at F4 ISO1600, with +3 flash exposure compensation. Oh and of course, a daylight-to-tungsten flash gel on my Sony HVL-F56AM, to create a different color for the flashed subject and the background. The flash head was set to 85mm zoom and pointed forwards (for maximum output) and either TTL or full power.

I then set my (then) Sony Alpha 700’s white balance to around 2800 Kelvin and it made the background look extra blue, when it was in fact daylight.


That’s how you dance!


That’s how you play indie bass guitar!


I really am not sure if he changed, or if he has a brother.


With auto WB, the background was really normal-colored. This is of course without flash.


Hanafi of Estranged, and his beloved Fender Jagstang (which unfortunately got stolen.)


Andy on drums!


Times have changed and so have Estranged – I felt rather estranged from them hearing them play softer Malay songs.


…that’s not to say that they no longer rock out, or jump.


Komplot! I love this band. Disco rock. The vocalist dressed campy enough, too!


The drummer feels it.


Dance To The Radio, a healthy dose of indie. They have a song about how they are not the Arctic Monkeys.


This is how you dance to the music.


Let’s go outside!

Tempat Pasar


28th December 2008 was the first time I stepped into Marketplace, a quaint venue off Jalan Yap Kwan Seng.


It was Doppelganger Open Mic night, and George Wong was headlining!


He pulls off the emo voice perfectly. Emo glasses? Check. Songs about breakup? Check.


Pick a guitar!


Vei comes up for some stand-up comedy. I think he could’ve warmed up the crowd a fair bit more as there were only a select few tuned in.

Come to think of it, a vital part of stand-up comedy is getting the audience’s attention – after all, we’ve all paid cover charge and redeemed our free beer. We should be able to laugh at anything, so it doesn’t matter if your joke are funny or not.


Speaking of beer, I think the tables are really cool! They have barriers to prevent drinks from falling off the table and spilling.


Then, there was the excellent, excellent Sparanormal!


For lack of better classification, I remember them as indie. Well not a very typical Brit indie, though.


Jasmine Low, who had earlier read poems, then interviews the entertaining Freda DragonStar!


And then, it was George’s friend Rina. She has catchy tunes, so catchy that I’d only heard them once before many many years ago, and yet I remember the songs when she performed them!


Then came the unforgettable Rafique Rashid. This guy is hilarious!


He played songs about being caught on video like a certain health minister, among other local commentary. He even changed the lyrics of The Kinks – Lola to go “Yoga, Y-O-G-A Yoga, yo yo yo yo yogaaa…


Then, Freda DragonStar came on stage to recount funny stories and perform a duet with Rafique Rashid. Amazing stuff!

Cokelat So Laris

Christmas Eve, 24th December 2008, at Schokolart, a chocolatey heaven.


On the bill, finger-tapping extraordinaire Az Samad


…and jazzy Shelley Leong! (Oh, and of course Zalila Lee in the background…)


She can kompang too!


There were a few remixes and style changes.

Often, there are songs that we are used to hearing in a sombre, melancholic way, best stripped down to just vocals and one instrument, that lose potency when spruced with fills and riffs. She did do a Berkley on Innocent Girl, I think… I told her later about this, which she had also realized.

Imagine Extreme playing their trademark funk metal over More Than Words, or Red Hot Chili Peppers freaky-stylin’ Under The Bridge. That doesn’t quite work…


Hot chick photographer!


Shelley has the amazing capability to hold completely still for… 1/6th of a second. 135mm F1.8 1/6s ISO3200 yo!


Meanwhile, Az has the amazing capability to never hold completely still for the camera.


Fear of the tuner.

I honestly have a slight fear of detuning my first string (the high E) because it has snapped twice while downtuning. Downtuning! Not tuning up!


Why are you guys arguing whether I am a chocolate ganache or not?


Az breaks out his new toy, the SoloEtte! This takes “reversed headstock” to another level.


Zalila stares out the Solaris.


The amusing Rafique Rashid on sound. He looks diabolical mixing sound sometimes. He also has a diabolical laugh.


Three shots here were taken with the Minolta 50mm F1.4 – the rest used the Carl Zeiss 135mm F1.8. A prize for you if you can figure out which ones!


Ask Az, “Who’s your daddy?” Our National Laureate with luminescent hair, but of course!


I had blue hair once. Here it looks like I have blue hair again.

You have to plug earphones in to hear what you’re playing! I realized that the form of the SoloEtte makes it look like a music-making stick.

27 Going On 28


Rewind to the 27th of November 2008, with Deserters at Laundry Bar! This series will feature technically imperfect pictures.


Oh no, I’ve cropped the head/hands/body of the subject!


Oh no, I’ve overexposed Bo of Seven! (Darn lights, but he looks cute and smiley-like here.)


Count the number of Sony Alpha users in the picture!


Justin the chimp with a Sony Alpha 900 and the lovely Sigma 14mm F3.5.


D-Ash joins Seven on stage to do his white boy shirt boombox thang.


Fast-forward a day to the 28th of November 2008, where I landed for the first time in Lepaq.


You get to see all sorts of random acts. Anybody can come up and play, whenever they want to!


The wonderful thing about Lepaq is, of course, how lepak it is – you get to sit on carpets with throw pillows, enjoy live music and smoke shisha at the same time!


I’m not sure if a freedom of expression table is also something Lepaq provides.


He hops on for some songs to provide much needed backing. This dude can croon!


Udjinn has funky toes.


Otam. Just close your eyes and imagine you’re in a juke joint listening to this cool cat play blues.


I’m not quite sure what this guy is up to (or is pointing up at.)