Category Archives: Music

What Do These Bands Have In Common?


Aiqa Halim


Altimet (I did not take this picture; it was taken from Shugar Studios’s pictures.)

An Honest Mistake


Ariff Akhir


Ash Nair (I did not take this picture; it was taken from Baldwin’s blog.)


Az Samad


Broken Scar


Broken Scar (more)


Broken Scar (even more)


Broken Scar (that’s it)


Car Crash Hearts


Cosmic Funk Express

Dina & The Crazy People (aka Dina of Malaysian Idol 1)

DJ Biggie

DJ Cza


Dragon Red


Estranged (featuring Adam on vocals)

Freeloaders Inc
Frequency Cannon

Groovetank


Hannah Tan

Hunny Madu

Ila Damiaa


Isaac Entry


Izzy Mohd

James Baum

Jin Hackman


Joe Flizzow

Kimberly Chin

Liang

Moodswings


Mr. Noisee (thanks to Francis Cobb for this picture)

Narmi

Once Upon A Time There Was A Sausage Named Bob
One Buck Short

P
Q


Rendra Zawawi


Rhapsody

Ryan Lucas


Shelley Leong


Soft Touch

SonaOne

Sufiah Noor (Malaysian Idol Season 1)


The Sofa Sessions

U


V3

Wisdom Of Sorrows

X
Y


Zack Tay

What do all these bands have in common? Well, Alda Tan has played for all of them! I asked him once if he could list all the bands he has played for, from A to Z, even if it is just as a sessionist. He said then, many years ago when he was still involved with JamAsia, that he could at least cover A to M.

I don’t remember the list, but I searched back in my blog for every mention of Alda, and this is what I got. Can you fill in the blanks? What are the bands he played for?

Also, thanks to Adam Lobo, Aliff Screwthebox, David Rafael Buri, Jin Hackman, Joanne Kay, Francis Cobb, and the official Kartel Twitter account social media person, for their contributions to the list.

The band names are linked back to the blog post where I blogged about the gig that the picture comes from – some are re-edited in higher resolution. Some don’t have links because I haven’t blogged about those gigs, yet!


The first gig that I had ever been to was Good Golly, It’s A Gig! and I think the second was The Most Wanted Gig. I wrote:

Estranged, whose reputation preceded them, had the crowd cheering beforehand. I would find out why afterwards! They had influences of my two favorite bands, the Red Hot Chili Peppers and Incubus. Interesting showmanship here too. Here was a bassist with the funky energy of Flea, sliding his bass, jumping about with the bass flying! At one point he was scratching his strings like a turntable! :O

The first song was somewhat grungy with electric guitar effects, followed by a bass-slap-intro metal-Incubus-style tune. Puzzle followed, with well-mannered screams in the bridge. Well mannered in the sense that the vocalist faced away from the crowd for his outburst. 🙂 Velocity played harder with effects, followed by another Incubus-chorused vocals song. They ended with a acid jazzy tune. My search was complete. However, where are any other Malaysian bands that sound like this?!?

The bassist I was referring to was Alda. This was where I first met him! After the gig, I went up to him and complimented him on his awesomeness on bass.

Alda, who is well-known in the underground music scene of the Klang Valley, later went on to organize many gigs in many venues (though I don’t think I could do an A to Z on that one.)

Anyway – he just suffered a stroke. I quote Zona, Alda’s sister:

My brother, Alda Evan Tan – talented musician and music promoter by night, social media community manager by day – turned 29 last month. And just last night, he had a stroke.

I’m living with my husband and my 14 month old daughter in Sydney, Australia – and was sickeningly devastated to get the news around 4am AEST that my brother was having brain surgery. I honestly thought my dad had his iPhone autocorrect go wrong on him. Sadly, no.

This is what happened, an account provided by very close friends of my brother’s (in Malaysian time):

Alda had a capillary burst in his brain last night. Brought to hospital and a brain op was conducted at 1.40am, done by 4.30am. It was successful but he is in an induced coma now to allow to heal. In ICU as well. He collapsed mid-song while jamming.

(Taken from http://www.midnitelily.com/vivo/2012/03/alda-evan-tan-you-will-recover.html)

Sadly, Alda and his family does not have health or medical insurance, so they have large bills to pay. So this is my call to whoever’s reading, to help him and his family out. You can help by sending his family contributions. Click here for details how to.

Back when I went bald to raise funds for charity, Alda did too! (Though he did so at home and recorded a video.)

On a side note, yes insurance does help somewhat – though not as smoothly, in my experience – I had gotten a Guarantee Letter that I could be admitted and the insurance company would pay, but when I was discharged, they said they would not. So I had to pop a vein and berate the insurance company! I had to pay for myself, to be discharged. It was only a few days later that the insurance company reversed their decision.

A government hospital is admittedly cheaper, even for a longer stay, but I still haven’t gotten my insurance claim form for that one! So it seems like you still gotta pay, but with insurance, you might get your money back!

Also, Alda was born in 1983, same year as me, and it scares the shit out of me that you can get a stroke at this age! This just reminds us all again that we’re not getting any younger and that we need to take care of our health. No more sleeping late, eating high-cholesterol food, copious amounts of alcohol and smoke – you might find a better quality of life with more portions of vegetables and fruit, water and exercise.

EDITED 11th June 2012: Alda passed away peacefully at 4:45am.

There will be a wake service at St. Ignatius Church, Jalan SS 25/23, Taman Plaza, 47301 Petaling Jaya, Selangor, Malaysia, at 8pm, on Monday 11th June, Tuesday 12th June and Wednesday 13th June. The funeral service will be at 10am Thursday 14th June at St. Ignatius Church as well. He will be cremated at the MBPJ Crematorium, Kampung Tunku, Petaling Jaya at 11:30am Thursday, 14th June 2012.

Rock The World 11: The Crowd


Rock The World 11, 10th December 2011, back at the perennial venue – Merdeka Stadium!


Before we cut to the bands, however, here are some pictures of the crowd!


There was a stage outside the stadium, with a smaller crowd and some indie bands.


The performances took a break for some drifting action! Yes she is a champ.


There was also a graffiti area where cars would be sprayed, as well as a Volkswagen Beetle gathering. You know, the real Bumblebee.


I got to familiarize myself with the Samyang 35mm F1.4 that I just got, at that time.


Of course, I darkened the midtones a bit, to give the car its proper black sheen.


Later at night…


Spotted on a Beetle.


In between the outdoor car park and the stadium itself was a walkway, where I saw this. I guess the spirit of Merdeka Stadium believes this, too.


On stage, TuneTalk’s Mat Tune mascot, rocking out! Very catchy tune, indeed.


It was also a lunar eclipse that night, not that anybody cared.


The world’s biggest SIM-card-shaped balloon.


Man, why do people who go on stage during Rock The World to play the Guitar Hero challenge always suck? It seems odd at a rock concert. Especially so when hipsters at Urbanscapes are a lot better at Guitar Hero (better than me, even!) By better, I mean, a gripping head-to-head challenge where we alternate between 1st and 2nd a lot in one song, and the audience is not sure who to bet on! One where both players play Hard difficulty, but in fact play Expert casually at home!

Of course, that is emcee Fadhil on stage – very odd that this iteration didn’t have classic emcee Harooooon!

My first Android app live – DigiTech Patch Viewer!

(This post was edited 0209 hours 5th March 2012 +0800 GMT for Version 1.1.)

So I’ve finally uploaded my first (fully-completed) Android app to the Android Market!

Available in Android Market
DigiTech Patch Viewer

This lets you open DigiTech RP155, RP250 and RP255 multi-effects patch files using your Android device.

Ever been jamming at a friend’s place, or a studio, and you wanted to dial in that certain tone, but you couldn’t get it right? Then you Googled it on your phone but you find that in order to get the tone, you need to fire up X-Edit on a proper computer or laptop, and connect the RP255 by USB?

My app lets you view the patch – you’ll still have to dial in the settings manually. For convenience, all the settings are arranged as they are on the pedal!

Now it would be awesome to connect the pedal to an Android device via USB, but I don’t have an Android device with USB Host functionality and even then that might be too daunting a task! (I don’t have a Near-Field-Communication-supporting device, either…)

The RP155 and RP250 have beta support as of version 1.1, in the Android Market now. It may not show certain values, so contact me if you find such a patch file.

The RP255 is the only one I have to test all settings with – hit me an email if you’d like to help to test with your other DigiTech RP series multi-effects pedal! Fortunately, the RP presets are all plain, human-readable XML, so it’s quite easy – can’t say the same about other brand patch files.

If you have trouble opening patch files from your stock browser, use Firefox for Android. I found the Samsung Galaxy Note stock browser, for example, will rename any unknown files to *.bin.

In other news, I have a sample patch file – this is my current go-to metal patch, called “TAPMET”. It’s a high-gain balls-out metal patch with an interesting twist – the expression pedal is set to control equalizer mid levels.

TAPMET – click to download!

So if you push the expression pedal down at the heel, you get scooped mids (bass: 0, mid: -12, treble: 0) for some crunchy thrash metal rhythm, and when you push the expression pedal forward at the toe, you get a searing hot tone (bass: 0, mid: 12, treble: 0) for some tasty lead solos!

Effective Processing

So if I got myself a Schecter Omen Extreme-6 FR for my birthday, what did I get myself for Christmas?


A Digitech RP255 guitar multi-effect processor!

To be honest, I hankered for effects within the first day of playing with my new electric guitar. I used to have live sound effects on my SoundBlaster Live! 5.1 soundcard but that died, and Creative doesn’t put the sound effects in their newer EAX 5.0 cards anymore. I used to have so much fun with the SoundBlaster, as it had a pitch shifter, auto-wah, distortion, flanger, reverb, delay and the works!

With my current integrated soundcard, all I can do is boost the microphone signal to +20 decibels and rely on this digital overdrive.


The RP255 is the cheapest of the current series to have an expression pedal and a looper. The RP355, one step up, adds XLR jacks.

What really sold me on this, compared to say a Line 6, Boss, Rocktron, Zoom, was that it had a 20 second looper for that price, under RM700 (during the Bentley year-end sale.) The Zoom multi-effects pedals at that price had a 5 second looper, certainly not long enough! The Boss multi-effects pedals didn’t have a pitch shifter. Line 6 was out of my budget.

A pitch shifter is important to me because I have a Floyd Rose floating bridge and I don’t want to painstakingly retune my guitar each time I want to detune my guitar down an entire step. I can also drop it down an octave to become a bass, or pull it up like a whammy pedal would.

Of course, there is also that whammy sound… and the wah pedal, which I’ve missed! Out of the factory it is a bit too sensitive – so you absolutely must calibrate the expression pedal so it doesn’t toggle between volume and wah so easily. You could, of course, assign the pedal to do something else…

I also particularly like the user interface – I played around with all the settings, activating the looper and jamming with myself. I then read the manual, and I found I didn’t learn anything new, because I’d already figured everything out!

It has 120 preset tones – the first 60 can be overwritten. I can also download the X-Edit software and plug it via USB to download the preset tone into the RP255!

Unfortunately my Windows 7 installation is a bit broken so I need to reformat so I can get X-Edit to install properly – more on that once I get around to that! I’d then install Cubase LE 5, included with the RP255.

Since I have a 6.35″ to 3.5″ jack converter (and 3.5″ to 6.35″ as well) I can plug the RP255 straight into speakers, or into my Sony A77’s mike jack! I shall record a video of me using the looper and the pitch-shifted bass once I have an awesome riff to show.

So does it sound digital? I wouldn’t know, really, unless I heard it side-by-side with an analog signal. There is an analog tone, though.

In other news, I broke the low E string again – this time, it seemed to just loosen up at the bridge end. So I clipped it and reversed the string, putting it back in. I should’ve known when it started acting up, since it kept detuning rapidly within 1 minute of bending.

35mm Normally


I got myself the Samyang 35mm F1.4 ED AS UMC for Sony Alpha A-mount!


It is, of course, a full-frame lens, for its full glory on my Sony Alpha 900. It is manual focus though – which is why it costs a lot less than the Sony 35mm F1.4G. It’s got a bit of weight at 700 grams for the A-mount version, and a 77mm filter thread.

My Opteka 85mm F1.4 (rebadged from Samyang) is very, very easy to manual focus. This lens, being wider, is a bit harder – I’d say with the 85mm I could get exact focus 95% of the time, with 5% being slightly off (not noticeable when not zoomed in.)

With the 35mm my perfection rate is probably a 75% – but after a few days, I got used to it and got better, about 85%. That said I’ve had the 85mm for 2 years already…

Interestingly, this is the only lens I’ve bought for all of 2011.

I knew that Samyang made awesome lenses – cheap because they are manual focus, but contrasty and sharp wide open! (Though when compared to a Zeiss it would lose in micro-contrast – the details are just crispier on the Sony Carl Zeiss Planar T* 85mm F1.4 ZA, for example.)

Just like the Samyang/Opteka 85mm F1.4, the aperture ring jumps from F1.4 to F2.0 then clicks in half-stops until F16, where it jumps to F22. Its minimum focus distance is a very useful 30cm close (compared to the rather weak close focusing of the Samyang 85mm F1.4 and Samyang 8mm F3.5 diagonal fisheye…)


On the Sony Alpha 77 – with focus peaking and Live View with magnification, it is a lot easier to quickly manual focus.


On the Sony Alpha NEX-5 with the Sony LA-EA1 A-mount to E-mount lens adapter.


So here are my primes!
Left to right: Peleng 8mm F3.5 M42 circular fisheye, Vivitar 24mm F2.0 OM-mount, Sony Carl Zeiss Distagon T* 24mm F2.0 ZA SSM, Samyang 35mm F1.4 ED AS UMC, Minolta 50mm F1.4 Original, Opteka 85mm F1.4, Sony Carl Zeiss Sonnar T* 135mm F1.8 ZA.


Clockwise from left: Samyang 35mm F1.4 ED AS UMC, Sony Carl Zeiss Distagon T* 24mm F2.0 ZA SSM, Minolta 50mm F1.4 Original, Sony Carl Zeiss Sonnar T* 135mm F1.8 ZA, Opteka 85mm F1.4, Vivitar 24mm F2.0 OM-mount, and the Peleng 8mm F3.5 M42 circular fisheye in the middle.


Be warned! The rear element sticks out when the lens is focused to infinity, so you may not want to put the lens on a table facing up…


Onto the pictures! 35mm F1.4 on full-frame. As a buddy of mine said, it looks kinda toy-camera-ish.


Click the image
for the full 24-megapixel image from the A900! Wide open, it provides decent detail, with a minor amount of chromatic aberration.


Click the image
for the full 24-megapixel image from the A900! As they say, F8 and be there!


Bokeh is generally good…


…though the out-of-focus highlights may sometimes exhibit concentric patterns like this. I have no idea why this happens.


There is a very slight tinge of brightline bokeh especially in the middle. Also notice that there is physical vignetting – not only do the out-of-focus highlights become cats-eyed in shape, they also get cropped.


There is a bit of barrel distortion.


This is my best effort to fix it without going into complex moustache distortion correction.


Anyway, F1.4! It will rule the night!


It picks up ambient color alright. Note the blue light on the trousers.


1/4th of a second, ISO1600, F1.4. There was a lunar eclipse that night, and the moon ended up looking red.


Jason through the NEX-5, LA-EA1 and of course Samyang 35mm F1.4. The angle of view is perfect for street photography and general multipurpose photography, whether on APS-C or full-frame.

35mm on full-frame is the same angle of view as your phone’s camera.


I took it to Rock The World 11! Here’s Maddame, a most awesome grunge band. I have to say though, that when he first got on stage and started shredding, I thought he looked like a Malaysian Marty Friedman, and even played like one! It wasn’t until he said his band represented the Malaysian grunge scene that I realized he was just playing some pretty riff-ful grunge!


A 100% crop of the above picture, taken with the 24-megapixel A77.


Ewin took this picture. Thanks Ewin!

Notice that the bokeh may sometimes be slightly wiry. That said it is generally good.


Lainey!


Into the night.


Waiting.


Depending on the light, you could turn it into day.


MSC Malaysia Cybercentre, in downtown KL – ironically, the most un-Malaysian part of KL.


Shot with the NEX-5. All I had to do was stand in their path to get a street shot like this!


Shot with the NEX-5 at F1.4. Thanks to Waifon for this picture!

All pictures were taken with the A900, with the Samyang 35mm F1.4 set at F1.4, unless otherwise stated (or if the lens is in the picture).

I bought the lens from Chia Hau – give him a holler if you’re interested! He deals with cameras and lenses.

Schect It Out!


Meet my early birthday present to myself!


This is the Schecter Omen Extreme-6 FR in See-Thru Black, part of the Diamond series (which means that it is not a custom Schecter guitar.)

(Pictures of myself with guitar, credits to Waifon.)


Bolt-on neck – though this is slightly angled which makes it nice to lean your head on when it is in a gig bag.


Obligatory 12th-fret shot.


So you might ask – why not an Ibanez with a humbucker-single-humbucker (2-1-2) setup? You get 5 positions in that switch.


I get a 3-way switch between 2 humbuckers…


…but multiply those options by 2 since the Tone knob can be pulled up to switch to single-coil mode.

Of course, this means I don’t get a single/humbucker mix like in positions #2 and #4, but I get a single coil sound at the neck, or bridge, or both.

Although I’ve always hankered for a Ibanez Gio SA in butterscotch, I was deeply saddened to find that it had only 22 frets.

Also, Ibanez’s necks tend to feel a bit cold and impersonal to me. Maybe it’s the finishing of the back. The Schecters generally come with thicker necks – not size 0s.


The FR in its name is for Floyd Rose – it has a licensed Floyd Rose Special floating bridge. I picked this for my love of Pantera!


Somehow, the idea of your strings being held by a metal block is a bit eerie.


Tuners. I reckon I could turn those pegs any way I like…


…since the double-locking nuts are already in place. Gotta dig the 1st fret inlay too!


Guitar strap.

Those of you with sharp eyes might notice that the low E string is missing! This was because I tried doing a divebomb, then pulling it up to see how far it would go… and I snapped the low E string! Who would’ve thought?

And so, I learnt how to tune a Floyd Rose and adjust the back spring tension. It wasn’t that hard, though tuning up takes forever! So the low E string you see in other pictures is actually an Ernie Ball 0.042 Slinky.

In retrospect, since the string broke at the bridge, I could actually feed it into the block again. Alas!


When I got it from the shop it was leaning slightly back – here I’ve reduced the spring tension so the bridge is floating parallel to the body. Though it does make for stiffer action.

I bought a set of Ernie Ball .008-.038 Extra Slinkys to replace the strings when they wear out (and D’addario XL’s in .009-.042 – like the ones that came with the guitar). I learnt my lesson when breaking a string on my first night – to stock up!

All pictures with the Sony DSLT-A77 with Sony Carl Zeiss Distagon T* 24mm F2.0 ZA SSM.

Going Up To Genting For A Knight

…and that is a most Sir Reginald Kenneth Dwight-like title. So I went up to the Arena Of Stars to see the rocket man, the piano rock-and-roll star, Elton John!

Yeah I am not strongly familiar with his discography, but I managed to write down a setlist of what he performed (using audio recording to figure out Honky Cat and The Bitch Is Back – but otherwise the other songs are recognizeable.)

1. Saturday Night’s Alright For Fighting
2. I’m Still Standing
3. Levon
4. Madman Across The Water
5. Tiny Dancer
6. Philadelphia Freedom
7. Goodbye Yellow Brick Road
8. Candle In The Wind
9. Rocket Man
10. I Guess That’s Why They Call It The Blues
11. Hey Ahab
12. Gone To Shiloh
13. Monkey Suit
14. Sacrifice
15. Honky Cat
16. Sad Songs (Say So Much)
17. Daniel
18. Sorry Seems To Be The Hardest Word
19. Don’t Let The Sun Go Down On Me
20. Bennie And The Jets
21. The Bitch Is Back
22. Crocodile Rock

Encore
23. Your Song
24. Circle Of Life
25. Can You Feel The Love Tonight


This is what I could see from the seats I could afford.

I am still heterosexual, despite his fabulous performance! So you may wonder why I was so keen to go up to see him – I would say that although I don’t know all his songs, I do feel very strongly about certain songs that have a most epic quality about them.

Unfortunately he didn’t play the Funeral For A Friend/Love Lies Bleeding but he still did the epic Tiny Dancer (which is forever ingrained in every rocker’s brain, in the movie Almost Famous, when they all get on the bus, bedraggled and exhausted, but they sing along to this song on the radio.)

And, of course, Dave Grohl’s excellent cover.

Then, there’s Daniel – he played it like it was, a happier, gospel-ish tune. I knew the song first when Fuel covered it, making it emotional – which the song is, anyway, about a deceased war veteran who is the narrator’s brother. So was the original too happy? And if so, did Fuel just make a very excellent cover?


He didn’t pull out any stops at the song after that, Sorry Seems To Be The Hardest Word. Perhaps the emo was being saved for that.


His band, with Davey Johnstone having more than one double-neck guitar, and Nigel Olsson on drums. This was in fact the first time I’d ever seen a double-neck guitar in action, live.

After the show, I saw a bit of American Idol Season 10 Top 3, where the fantastic Haley Reinhart covered Bennie And The Jets in a most rockish way. What a coincidence! She did it very well, too.

This was her first performance of Bennie And The Jets. I can’t figure out which was better – this, or her performance of this same song after she was eliminated.

So it would seem, perhaps, that Elton John songs are pliable and can make great covers. The songs are sparse enough to add embellishments, and the chord progressions keep the songs strong however you’d cover it.


Another strong reason for me to go, was to see Rose Stone of the legendary multi-cultural funk band Sly And The Family Stone. She had a bright blonde wig on, a style she had when performing with brothers Sly Stone and Freddie Stone. She was beautiful as ever, as a compliment you’d give to someone’s mother (she’s 66!) Her daughter, Lisa Stone was also singing backup vocals for Elton John. She was demure when Elton was naming all the members of the band – and you can see her demureness in this video:


Not forgetting 2Cellos, which were the opening act, were also part of his band.


As it turns out, I’d seen this video before! They were discovered from YouTube.

Urbanscapes 2011!


16th July 2011: Urbanscapes 2011, down at Padang Astaka!


Bumped into ex-colleague Sook Rong…


…and her friend. Ultra-wide perspectives from the Sigma 12-24mm F4.5-5.6 EX DG on the full-frame Sony Alpha 900.


This makes for real easy camwhoring…


…and random grab shots.


It was muddy all over. Reza Salleh smartly came in boots!


Jon YKT, from the back!


Liyana Fizi, from the front!


The weather was nice for a picnic.


Deejays.


Water-conducted beats.


More deco for Publika, a new, very artsy shopping mall in Solaris Dutamas.


Cable rolls have a second life.


The sun was unrelenting.


Sheena! She was spitting rhymes and spoken word. First time I’d seen her do this!


Nearby, you could register to vote. Which you should, anyway.


The original Polaroid SX-70?


One of the few air-conditioned places. This was notably different from KL Performing Arts Center, where you could retreat into the air-conditioned halls and freshen up in the toilets. Instead, at Padang Astaka, we got portable toilets, nowhere as comfortable.


Reza Salleh performing on stage!


Perhaps, suntan tattoos are in.


The Moonshine booth.


A collection of Moonshine posters.


Malaysian records, sold at the Moonshine booth.


Graffiti artists and fans.


So yeah I was saying, picnic…


Which, ironically, Guitar Hero was not. I played against two different people in two different booths, at Hard difficulty.

Now I admit that I do play Expert difficulty most of the time except for extremely technical metal songs… so I was expecting to win both rounds. Instead, I found myself neck-to-neck with my contenders, often trading first and second place! (I ultimately lost both.)

This made me happy somewhat, to know that the level of Guitar Hero-ship has greatly improved.


Sheena, one such secret champion. She admitted to playing Expert, sometimes. Good game!

Sunday Night Artista!


24th July 2011: The Artistic Series Presents: Sunday night at Artista, Tropicana City Mall! Here’s the funky fresh Zalila Lee.


Here’s the guitar-slapping, giant-chord finger style guitarist Az Samad.


Immersive music!


Az changes his guitar tuning.

It should be noted that such a framing is made out of necessity in order to fit both Az’s head and the guitar’s head in the frame, since I use prime lenses – as such I am not able to zoom in or out.


The crowd on a Sunday night.


Brahim, I think. I used to write all their names down in a Google Calendar entry but it seems to have mysteriously wiped itself out. And so as of today, I have instilled a systematic approach to detecting whether any calendar entries are missing, by putting a simple “beginning of calendar” as the earliest calendar entry.


I have waited for this day. Ray Cheong, also a finger-style guitarist, but with funk/blues leanings, in the same gig as acoustic finger-style hero Az Samad.


He also sings, often doing a little tribute to Jimi Hendrix and Stevie Ray Vaughn.


Alda Tan, organizer of the gig, and long-time bassist in many Malaysian bands.


Azmyl Yunor, folk hero. I had no idea that he had a Wikipedia page!

They all had a little showdown jam later that night. An awesome acoustic showdown jam.