Author Archives: 2konbla

Cool Ching!


Rewind to 12th to 15th July 2008, when I was down in Kuching for the Rainforest World Music Festival 2008!


I’m on a boat! Uh… boat.


I’m on a bus! I saw this tree too many times.


Kuching is literally the land of cats!


Funny thing is, they have really cool garbage trucks that have automated slot loaders…


…but there is only one cinema in town, and the tickets are manually written! (The show? Wanted.)


Left: Finally found tuak, pretty sweet stuff! Right: My Minolta 70-210mm F4 beercan next to tin cans in the beercan form factor.


On to the Sarawak Cultural Village! Scary stairs made of trees.


They had many houses showing you what each culture was into.


Up in one of the attics.


Yeah, he looks wooden.


The Sarawak Cultural Village is a nice place to just chill and get in touch with nature. See even Yoda likes it!


Tall, tall, tall houses!


Then we snuck over to the Damai beach.


It was pretty much empty except for this girl… until a guard came over and asked where we were staying.

So I made up something about staying with Noel and that I’d forgot my pass.


And suddenly, Noel appeared out of nowhere! (Well, after the guard left.)


Waifon’s pet turtle.


Kenny Sia tugging on my hair. Wow it still had highlights then!


Another spy shot of the couple he spy-shot from afar.


Sigh advertisement-pimpin’ bloggers!


Coca Cola.


Roxy-Quiksilver!

More here:
Rain For Us
Sunny East Side

Y COME?


27th September, 2009 – when I set foot upon the new Actors’ Studio, on the rooftop of Lot 10!


Obviously, it was not done up properly yet.


Inside, it looked like a sauna. Ironically, it was cold!


Mr. I-just-got-married Phoon Chi Ho!

It was a free Sunday matinee Young Comedians Of Malaysia showcase.


In the interests of conserving bandwidth, here’s a montage of funnymen Kavin Jay (left) and Papi Zak (right).


And of course, Kuah Jen Han (left) and Oliver Johanan (right).

These guys are gold, all the time, so if you ever see them on a list somewhere, go catch them!

Young Comedians Of Malaysia (Facebook page)

Some Ipoh Ellie

And now, something almost exactly one year before my last blog post, on the 4th of April 2009.


MissyEllio commissioned me to take pictures of a site she was going to be doing some heavy duty architecturin’ on. Yes, that is almost a stock photo of an architect.


However, we also went around Ipoh to find… emptiness.


What does she see? Lines and boxes and little plastic people? 3 elevations?

Camera nuts see a Sigma 17-35mm F2.8-4 EX and a brick wall, perfect for pixel-peeping lens tests.


Oh look brick wall camwhore time!


More camwhoring – motif being “where’s my driver?” Yes, there was a third party.


I joined in, since I could not resist taking pictures of myself being in a hypothetical band.


Ah, joy for the stomach! The real thing, Ipoh White Coffee and the works.

MMUMemoirs


Ah, what sweet memoirs!


All them lovely faces.


So yeah, I was down in burnin’ hot Cyberjaya, a certain 3rd of April 2010, for the “Memoirs” Photography Exhibition 2010, organized by the Film & Photography Society of Multimedia University, Cyberjaya.


In the judges’ room. Because, y’know, I was a judge. We were fed snacks and refreshments. Like a boss.

Spot the Paul-Tan-dot-org-or-now-Paul-dot-my lookalike!


Gotta love the effort to spruce up the rather sparse hall.


My pictures!


Random passerby!


Why hello I would like to join you in the experiment corner!


Then there was a Q&A session where I might’ve gone off tangent. A bit.

I have to thank Wai Wah for taking all the pictures of us on stage. Thanks dude! Also, congratulations on you winning a prize!


Serious smashpOp is serious. There’s also Steven Leong (of Photographic Society Malaysia).


Did you know Jason auditioned for Malaysian Idol once?


The emcees who fed us questions.


Then it was prize-giving time!


Clive, another judge, in the middle.


Caption this yourself. 😀


My first pewter! A token of appreciation.


That is one heck of a photobook, sprawling the expanses of China in medium format.


So yeah, the judges submitted 3 pictures each. The bottom-right picture is not mine.


I’m glad that some people asked me what this picture meant.


This one has deep meaning to me, but I’d only tell you in person.


Graduation.

Moonshine: October 2010

Moonshine: A Homemade Music Show, a certain 7th of October 2010 ago. I had just gotten my Sony Alpha SLT-A55, so these are practically the first shots from it!


Aiqa Halim! Dig her drawl.


Stonebay, reminding of the better days of 90’s rock.


Ojie with a more acoustic sound this round.


Interestingly, Laundry Bar renovated, with some funky art in the back!


I like how his shirt matches the background, somewhat.


Next up, green tree-hugging Ferns!


All smily and with a forgotten side of less aggressive rock.


Initially I wanted to do a heavily processed process on this series of photos but then I saw this photo and I was like hmmm maybe I won’t do it here, because of this shot.


On the similiarly melodic continent of rock there was Lightcraft.


Man I hadn’t seen these guys in ages!


Ambient was the theme.


You may or may not be able to tell which shots were from my A900 and A55 – the A55 was processed with Lightroom 3.2 while the A900 was processed with DxO Optics Pro Elite. A notable difference is how weak the reds were from Lightroom (a more puritan rendition, I’d say) compared to DxO’s subjective flurry of red. Lesson learnt from later trying to tune the reds back in Photoshop? Process them all in Lightroom until DxO supports the A55.


Reza and the soundman.

Oh and here’s a video!

Lightcraft, performing “All In My Mind”. Recorded using a Sony SLT-A55 with the Carl Zeiss 135mm F1.8 ZA and audio is from the built-in stereo mike. Unfortunately with no audio monitor I didn’t know it was clipping the vocals so pardon that – I gotta get an external mike. AF is on, with the center AF point used.

Converted from 1080p25 to 720p24 (the overrated 24p magic number.)

Black-and-white Street


Welcome, dear sir, to some street photography!


You know, because the streets of Malaysia can get verrry interesting.


I go through cycles of wide to tele casual shooting. This was with the Carl Zeiss 135mm F1.8, not exactly a lens you want to be bringing around this part of town.

And now, for a cycle of black-and-white!


In other areas though, the Sony Alpha NEX-5 and Sony E 16mm F2.8 pancake are discreet enough for close range.


This was shot with the camera held down at the hand, with probably ISO6400 in burst mode.


Another one of those.


Up close in tight spaces.


Up close with cute faces.


Terribly cliche street shot, I know.


George always emphasized on picking the right picture.


Let’s see who remembers where this was!

All these pictures are from my archives – I tend to copy pictures into folders based on category, hence why similiar pictures get posted at the same time.


Ticket to ride.


Train of thought.


Sign of times.


Perhaps I’ll hop on the LRT again and redo this shot, focused on the rail instead, to emphasize the railing and how it’s like a train track.


Another cliche street shot.


Just you and me.


Just… he.


The only thing that is really killing my flow is that I have to bring an umbrella.


The thing that was killing my blogging flow? Weekend weddings and the drudgery of waking up at 5am and reaching the client’s place at 7am.


I appreciated your patience!

A New Long Post

Sorry for the sporadic posts, I’ve been busy, and pretty exhausted.

However, I did grow a year older, and I am at least tall enough to reach a bear’s armpits!

A problem with wanting to blog textually, is that I really have so much to say that I don’t know where to start, and what to leave out, because it is really a big long story!

Anyway, 2010 has been a very interesting year for me – I changed my employer, finally, after 4 years of interning (during college) and 5.5 years of full-time employment. In the interest of self-preservation and continued employment, I will leave certain details out, which can be gotten in person.

Outsourcing is a very interesting phenomenon. In short, my job was made obsolete, and the team I was in was to sit at the vendor’s office and learn the system. Then we were called back, and I quit and joined the vendor instead.

Oh well, 5 years in the same position doesn’t give significant increments, but I absolutely loved the ex-company and its perks (then). Now when I say ex-company – I mean that I had been paid by the same company, never needing to go for another interview, but the stuff I worked on was always changing.

Also I had this fear that I had become unable to learn anything new – ASP.NET was just too much of a pain in the OS to install (Microsoft, please un-f— your Windows Installer system – it’s still broke on my home Windows 7 installation). Hence, I was doing classic ASP 3.0 for pretty much my run of service! We tried to get our foot in ASP.NET, going for courses held by lousy instructors who just tell you to go to Page 3 of Chapter 4 and do the exercise while the instructor sits there and asks if we have any problems retyping the code from the book into the machine.

But then I was thrown into deep water at the vendor’s office, learning XSL (which I quite fancy, since XPath is full of win) and then I soon found myself teaching other colleagues, who were thrown into the water at the same time I was.

I was smart again!

I could learn again!

Several other incidents led me to decide to leave the company, but I was surprised that I made the decision in 2 days!

The Xfresh.com domain was registered on the 18th of August 2000, and the team was formed and I started interning on the 18th of December 2000.

Exactly 10 years later, the domain expired.

That was the same day I had the initial sentiment to move on, although I didn’t know the domain expired until a few days later. What a intergalactic coincidence!

And so, I make my first sweepingly public statement – I am no longer just a classic ASP web programmer! I’m doing XSL, a tiny milligram of PHP (but enough to Tweet as an xAuth user, which I’d say is 1337 enough) and the subject many IT students feared – Java.

Web programming makes you stupid. It’s linear, and when you try to introduce object-oriented and reusable, modular components… you get teammates who don’t get it and write stuff like this:

<select size=1 name=day>
<option value=1 <%if fday=1 then response.write(“selected”)%>>1</option>
<option value=2 <%if fday=2 then response.write(“selected”)%>>2</option>
<option value=3 <%if fday=3 then response.write(“selected”)%>>3</option>
<option value=4 <%if fday=4 then response.write(“selected”)%>>4</option>
<option value=5 <%if fday=5 then response.write(“selected”)%>>5</option>
<option value=6 <%if fday=6 then response.write(“selected”)%>>6</option>
<option value=7 <%if fday=7 then response.write(“selected”)%>>7</option>
<option value=8 <%if fday=8 then response.write(“selected”)%>>8</option>
<option value=9 <%if fday=9 then response.write(“selected”)%>>9</option>
<option value=10 <%if fday=10 then response.write(“selected”)%>>10</option>

What’s worse is when a teammate defends the practice of excessive forking to avoid accidentally corrupting the source. Except, of course, when you need to patch a security hole, you have to find each fork and patch it, because apparently programmers don’t generally know what SQL Injection is! (Or worse, assuming that just because one .NET component is immune, that you don’t have to sanitize your input and output, or worse, applying the input sanitizing filter to the output and vice versa.)

So where was I, besides getting all worked up about some appalling habits I had to bear with back in the day?

Ah, Java. Reason being that having recently adopted an Android phone, I am also now an Android Developer! It’s not out yet, though I have developed my personal Twitter client just to tweet as Glaring Notebook. No, you don’t need to be a programmer to make your own Twitter vanity plate – I leave that to you to Google. 😉

Java is fantastic! Despite having a very steep learning curve, it is also a very, uh, fascinating language.

So how’s “fragmentation”?

Ah, the only 4-syllable word that iPhone fanboys can pronounce. 😀

It’s only a problem if you don’t know how to write your code to be flexible. I remember the people who would complain that this CSS code would not work in IE. Well they were just making it too complex when simpler CSS would do the trick! I’ve never had to use one of those tags which discriminate browsers.

(I am also a supporter of IE’s logical box model. Padding on the inside doesn’t change box dimensions, it only makes sense!)

That said though, it does have some implications – developing on my HTC Desire on Android 2.2, I didn’t know how much was missing in Android 1.5 until we got a HTC Magic running on Android 1.5. No XPATH? The agony! Performance was slower because it didn’t support Just-In-Time compilation, and it was just slower in spawning new asynchronous threads.

So I had to optimize it for 1.5, which is where I should’ve started in the first place.

This would pose a problem for those developers buying Google Nexus S phones, with Android 2.3, which features concurrent garbage collection (for significantly less lag). So it works fine on a 2.3 device, but will be jerky on a 1.5 device.

Oh, and if the application scrolls jerkily and crashes, it is so totally the programmer’s fault, not the phone’s. I’ve seen smooth, responsive applications in 1.5 – and I look at them in awe and respect.

I’d say that fragmentation is much less of an issue for programmers, than it is for customers, since programmers know how to get around it.

I have another confession to make.

I am on stock Android 2.2 with HTC Sense, South-East Asia version, downloaded from over-the-air. I have not rooted my phone.

I can root and underclock/overclock and do other optimizations, but it will not be reflective of the performance of my application on un-rooted phones, which make the majority. And yes, I will keep the HTC Magic torturously caged by 1.5, instead of the 2.2 that it can update to.

Also, rooting allows access of SQLite and private data to other programs who do not own that data. That’s not something I would like, because I know what I could do with it. 😉

Android 1.5/1.6 is to Android 2.1/2.2/2.3 as what Windows Vista is to Windows 7. A far less glamourous, polished product.

I’ve no idea how to end this blog post, but I’m just mentioning my intent to end this blog post so it doesn’t look like I didn’t copy all the text from Notepad. 😀

Street In Squares


All shots were cropped to become squares. It’s fun to find which pictures work better as squares!


Square faced.


You can’t pass, you’ve got a square helmet.


X Pax. X is like the frame of a square.


I have no idea man.


Yeah, you can sing too.


Lean on me.


Friday prayin’.


My hairstyle’s not square enough.


And I was like, BOOM!


He just wants somebody to love.


That move is supposed to deflect photography, somewhat?


Sitting squarely.

Distagonal

And now for prime time – the one lens I intended to buy in 2010!


Meet the Sony Carl Zeiss Distagon T* 24mm F2.0 SSM ZA.


It’s a lightweight companion to the A900, perfect for street shooting.

Well, okay, maybe the Sony NEX-5 with Sony E 16mm F2.8 pancake is better… I have to admit, I am a lot more comfortable doing thorough street photography with it. I have to get back in tune with street photography using much more noticeable cameras.


Here it is, on the Sony SLT-A55. Because its SSM in-lens focusing motor is silent, it makes for great normal video in low light.

So what is the point of it being just F2.0 when Canon and Nikon have 24mm F1.4 lenses?

Optical quality. Zeiss makes very little compromise on contrast and detail. The lens is already great wide open – stopping down just increases depth of field. The lens is not less contrasty wide open, like my Minolta 50mm F1.4!


Oh, and of course, one very cool thing – being a F2.0 design, it is much more affordable compared to the Canon/Nikon counterparts, and it can focus a lot closer.


This is 19cm away from the sensor! (Shot with the SLT-A55, as per the setup above.)


This is pretty darn close, too. Note that it is a wide-angle macro!


It is nicely paired with the SLT-A55 because it gives the angle of view of 36mm on full-frame – which is the same as your phone’s camera angle of view! This makes it a very handy focal length.

I know, I used to say I hated this focal length because it was so common, but it is indeed practical.


Anyway, here are some other primes I saw at Sony Style KLCC.

From left to right: Sony Carl Zeiss Distagon T* 24mm F2.0 SSM ZA, Opteka 85mm F1.4, Sony 35mm F1.8 DT SAM, Sony 85mm F2.8 SAM, Minolta 50mm F1.4 (Original), Sony LA-EA1 A-mount to E-mount adapter.


This is the Sony 35mm F1.8 DT SAM on the A55. Very, very nice focal length, and very detailed wide open. This lens made a far better impression than the online samples I’ve seen of plain stuffed toys and doorknobs and bottles and batteries that people have been using this lens to take pictures of!


Meanwhile, here is the A900 with the Sony 85mm F2.8 SAM. Pretty portraity, I’d say, while retaining that detail.


What about the Sony 35mm F1.8 DT SAM on full-frame? I pressed the lens release button on the A900 to disable the lens checking, so it would not automatically switch to APS-C mode. When focused at infinity, you can see vignetting.


So I went home and took a family picture.

Left to right, back row: Minolta 50mm F1.4 (Original), Sigma 70-210mm F4-5.6, Minolta 70-210mm F4 “beercan”, Cosina 70-210mm F2.8-4 1:2.5x Macro, Opteka 85mm F1.4, Sony Carl Zeiss Sonnar T* 135mm F1.8 ZA, Tamron 200-400mm F5.6.

Left to right, middle row: Peleng 8mm F3.5 circular fisheye in M42 mount with A-mount adapter, Sigma 12-24mm F4.5-5.6 EX DG, Sigma 17-35mm F2.8-4 EX, Sony 18-70mm F3.5-5.6 DT (gear-stripped and disassembled donation to science), Vivitar 24mm F2.0 adapted to A-mount, Sony Carl Zeiss Distagon T* 24mm F2.0 SSM ZA, Minolta 24-50mm F4 (Original), Minolta 24-105mm F3.5-4.5(D).

Left to right, front row: Sony LA-EA1 A-mount to E-mount lens adapter, Teleplus MC4 1.5x teleconverter, Teleplus MC4 2.0x teleconverter.


And now, just the primes.

Left to right, back row: Sony Carl Zeiss Distagon T* 24mm F2.0 SSM ZA, Opteka 85mm F1.4, Sony Carl Zeiss Sonnar T* 135mm F1.8 ZA.

Left to right, middle row: Peleng 8mm F3.5 circular fisheye in M42 mount with A-mount adapter, Minolta 50mm F1.4 (Original), Vivitar 24mm F2.0 adapted to A-mount.

Left to right, front row: Sony LA-EA1 A-mount to E-mount lens adapter, Teleplus MC4 1.5x teleconverter, Teleplus MC4 2.0x teleconverter.


Moving on…


Yes I did take pictures. The close focus really helped with this shot.


It also makes a cool toy-shooting lens.


Of course, I did go out with this lens…


Here’s geekster! The lens goes much closer but I’ll leave those shots out.


And so I went to the Kuala Lumpur International Motor Show 2010 at Putra World Trade Center.


Shot with the A55 and Zeiss 24mm F2.0. Great for the grab shot.


Shot with the A900 and Zeiss 24mm F2.0. All shots from this one onwards were with this combo, at F2.0.


I love how this lens makes you get close, and they pose differently as a result.


It’s like they know – aha! Portrait orientation! Turn to the side!


She didn’t get that memo, but it’s okay, because she looks good.


You do get an exaggerated perspective sometimes. DxO Optics Pro had not come out with the Zeiss 24mm F2.0 lens correction module yet unfortunately (though, I can’t spot barrel distortion, if any, to be honest.)


And that is all for today.


Alright, maybe a 50% crop. (100% crop, resized down to 50%.)

Bye5


More, from my ex-colleagues at Digital Five/ASTRO!


Richard Chit with his ubercool Leica D-Lux 4 and Ricoh LC-1 auto lens cap.


Here’s another, by the power of the Carl Zeiss 135mm F1.8 and Sony Alpha 900 combo. 😀


Capture the flag!


3+2.


Rames, looking very Danger Mouse-like.


Once in a while, we’d step out in the sun and help the Murai team. Here I am being reflector holder.


Occasionally, we get roped in to camwhore. Ema AF8, Albert D5.


My famous ‘gelisah’ look. Yes that was intentional.


The first place I ever worked – the Xfresh fishtank, now occupied by a different school of fish, but still with fantastic ambient colors.


My last day at ASTRO, but certainly not the last time I’d step into the premises.