Category Archives: Geek

Street Inspiration


Guys, this is not street shooting yo! Get up and get the shot. (I waited in this spot to have some chicks walk behind them, unnoticed, but they didn’t come…)


The Minolta 50mm F1.4 at F2.0 makes for a great walkaround.


This is a crop.


All this, on the way to Federal Hotel for “My Job, My Passion…” Photography Talk by Encik Zainal Abdul Halim, a Malaysian photographer for Reuters.


Inside, we gathered insights into his world of photojournalism, and his ideas of composition. He works with only a 17-35mm and 70-200mm!

I loved his composition, in particular how he tends to frame subjects squarely, or diagonally across the frame. The Rule Of Thirds is abundant here, and he likes putting the event title in the background (if there is a background.) He’s a background-centric photographer (I am, too!)


And then, we went out to the poolside…


…to shoot what?


Models! Yes how random.


The commonfolk are happy.


Caryne, revisited (I have some pictures previously that I have not posted.)


Thanks to Jie Qiang for letting me take his Sigma 12-24mm F4.5-5.6 EX DG for a spin!


Yet another blistering wide 12mm shot on the A900.


Coupled with the HVL-F20AM flash at the 50mm setting, it makes for a spot-lit effect!


Then, I popped on the Carl Zeiss 135mm F1.8 for some good ol’ F1.8 action.


At F3.2, bokeh becomes neater.


At F5. Taking a cue from En. Zainal’s shot (albeit not stopping down fast enough to get a nice star-shaped flare.)


And so, we went to the street, inspired to wait for the pictures that we intended to create.


1, 2, and 3.


I then headed to Lot 10, where I bumped into Ginny Yap!


It was Amber Chia’s Ford Model Search!


Yes, Malaysia’s favorite supermodel Amber Chia! See me tiptoeing because she is tall as heck.

Ringo, I am terror like that. No questions nor qualms.


And so, tall girls from all over sat down waiting.


I tend to invoke that kinda response.


Ooo, that one too.


Later that night, I was at Titiwangsa LRT and I guess I had a little calling to do some photojournalism! (The midtones were pulled on this one, hence the posterization.)


Ah, a properly exposed one. While I could’ve shot with my wide-angle or 50mm I decided to go with 135mm on this one, to be a fair bit away in case it was going to explode! En. Zainal warned of an experience where he photographed a bomb detonation, but a shrapnel flew 1km and injured the soldier next to him in the leg.


The firemen came! Interestingly, I have a few photos of them not in fire-retardant suits yet. They put them on as they get off their trucks!


After the initial extinguishing, they hose it down to kill little flames.


The owner (I presume) looking over the charred remains of his car.


I don’t know if this can be saved – the rest of the car was alright though.


Finally, a fireman jots the details.

Old Stock

Flashback to 12th September 2007 when I was feeling lucky with Lucky ASA100 film!


50mm F1.4 with Aprilcherrie.


Peleng 8mm F3.5 circular fisheye at 1/13s F8. I think we broke the table right after that!


Peleng 8mm F3.5 circular fisheye at 1/8s F8. So old, only one third of these girls still work here.


Sometime 2008, with Kodak BW400CN, I think.


Sometime 2007, with Fujifilm Superia 400 through the Pentax P30t, probably using the Vivitar 75-205mm F3.5-4.5.


Rewind to 3rd June 2007, with Fujifilm Superia 400 and me at the 70mm F5.6 end of my Minolta 70-210mm F4 beercan. Yes this picture is so old I’m holding my ol’ Sony Alpha 100!


210mm F5.6.


Peleng 8mm F3.5 circular fisheye at F16 1/20s.


Ditto at 1/15s.


26mm F7.1. Wish I was a bit more wary of perspective distortion then!


Forward to 18th October 2008, with the Minolta 24-105mm F3.5-4.5(D) at 24mm F3.5. Here’s DreamingArtemis!


One from the superb Minolta 85mm F1.4G.


24mm F16.


50mm F4.5.


24mm F13.


Beetles at 80mm F4.5! Gotta love Fujifilm Superia 400.


I then put the Carl Zeiss 135mm F1.8 through the Minolta Dynax 7’s Smooth Transition Focus mode. It takes 7 frames at progressively darker apertures on the same frame, to create very smooth bokeh, similiar in effect to the Minolta/Sony 135mm F2.8/T4.5 Smooth Transition Focus lens.


And then I tried it from a moving monorail train!


How about moving crowds?


How about moving cars?


The trails get progressively longer.


At 105mm and manual focus, you can see some interesting effects!

All shots were taken on the Minolta Dynax 7.

Webcomics I Enjoy!

Concerned: The Hλlf-Life And Death Of Gordon Frohman

I read this all in one seating. This is my favorite strip: #115

Questionable Content

This has an addictive storyline with very well fleshed out characters! Went back a few pages then decided to start from the first page!

xkcd

Check out today’s Geocities tribute! The ultimate geek comic.

Cyanide And Happiness

I still follow this, though lately the consistency hasn’t been great. It had smarter jokes when it started.

The Perry Bible Fellowship

Fantastic artwork, and ever off the hook!

A consistent pattern I find, of webcomics, is that the first 5-10 strips usually do not represent what the rest of the strips look like (or narrate or feel like.)

True To The Hue

Take the Farnsworth Munsell Hue Test!

The first time I tried, I got 11 – the second time, I turned off all the lights, to get the perfect score above. 🙂

I would also like to thank my trusty IBM P202 CRT monitor. Will try again on an uncalibrated LCD in mixed flourescent/tungsten light, for the challenge! If anything, I could correlate whether the office lighting affects my ability to perceive color greatly.

Sony Alpha 550 Part 3!

Here’s more from the Sony Alpha 550! Thanks to Sony Malaysia, I was 710 meters above sea level in Langkawi Island. Some pictures can be clicked on for a larger view, and some pictures have EXIF data included.


Why so serious?


Minolta 70-210mm F4 beercan at 210mm F4.


Lives up to the 14.2 megapixels, albeit with some purple fringing. Click image for a 100% crop.


The floating bridge!


Don’t miss a spot.


Live View for the overhead angle.


It was so windy and misty up there, you’d just want to lie there and relax.


And then we went on to Morac International Karting!


Since I shot mostly at F11 to get slower shutter speeds for panning, I could not tell if the Alpha 550 was indeed more accurate in focusing in AF-C mode.


Click image for a 100% crop. That’s what +3 sharpening does!


smashpOp ready for action. 75mm F4.


Spotted at the side. Live View and a tilting screen helps with the angles!


It is recommended you air your tattoos every 7 days to keep them looking fresh. So I say.


Down in the Underwater World Aquarium we pushed ISO3200.


Pinky and the…


Angelfish, ironically looking like prisoners.


This was at ISO1600.

Regretfully, I forgot that I could shoot at ISO6400 and ISO12800 – it was a habit carried over from using the A700 and A900.

More here:
Sony Alpha 550 Part 2!
Sony Alpha 550 Technical Hands-On!

Sony Alpha 550 Part 2!

I’m back, after getting some new Kingston 1GB DDR400 RAM! Finally I can get some picture-editing done comfortably. (I am blogging about this in case my RAM dies and I don’t remember if it’s still under warranty or not…)

Now for more shots from the Sony Alpha 550! Some pictures can be clicked on for a larger view, and some pictures have EXIF data included.


Top: Face Detect off; bottom: Face Detect on. Exposure and white balance are improved!


ISO6400.


Ng Chong Seng of Sony Singapore explains the difference between Auto HDR (introduced with the Alpha 500/550) and Dynamic Range Optimizer.


Here’s another slide which states that the Alpha 500/A550 has 30% faster autofocus and 30% better accuracy than the Alpha 350!


Here’s what 7 FPS looks like, in 14 frames or 2 seconds.


ISO3200.


The Carl Zeiss 16-80mm F3.5-4.5 DT is big on detail to feed the 14.2 megapixel CMOS sensor with.


100% crop of a ISO1600 image.


Live View helped here.


DRO Level 5 does look a bit radioactive at times, but I love how radiant the greens become.


Another DRO Level 5 shot. Some careful adjustment of curves would help.


The 100 Plus can is only RM1.30! Welcome to Duty-Free Langkawi! Note the Skol Beer next to it is just 10 sen more!


Minolta 70-210mm F4 beercan at 210mm F9 ISO1250 with the 2x Smart Teleconverter for an effective 630mm focal length.


An easier bird to catch, with Auto HDR. I’ve adjusted the levels slightly – Auto HDR at 3 EV is much easier to tweak back into a believable image compared to DRO Level 5.


Shot with the Zeiss 16-80mm and 2x Smart Teleconverter for better reach and depth of field.


DRO Level 5, out of the window (adjusted levels to reduce the blue window tinge.)


I have to say, they’ve really done something to the JPEG engine – reds don’t blow out! Here it is at DRO Level 5.


Left: Auto HDR 3 EV; right: adjusted levels.

More up soon!

Sony Alpha 550 Technical Hands-On!

I had the pleasure of meeting the hotter sister of the Sony Alpha 5×0 series – the 14.2 megapixel, 3″ 640×480 swivel screen 7 FPS-toting Sony Alpha 550!


Left: Sony Alpha 550 with Sony 30mm F2.8 DT Macro SAM lens; right: Sony Alpha 230 with Sony 50mm F1.8 DT SAM lens. Note the radically different handgrip on the A230/A330/A380 is not shared with the A500/A550, which gets the fuller grip.


Guess what, the Sony VG-B50AM battery grip can fit on the Sony Alpha 200! However, there was a nub on the battery grip that prevented fully snug fitting. However, it would still work fully if I loaded 1 battery in Slot 1 and left Slot 2 empty.

Someone will definitely figure out how to disassemble the battery grip and remove the side pin and cut off the nub for sure. The VG-B50AM battery grip definitely felt better (to memory… didn’t have a VG-B30AM to compare with.) I could foresee people buying the VG-B50AM grip for their A200/A300/A350 bodies…


Left shows the A550 has a hole for a nub on the VG-B50AM (pictured is the VG-B30AM which does not have a protuding nub.)

Right shows the A550 doesn’t curve while the VG-B30AM does, so it does not fit perfectly.


And so, the A550 does not match the VG-B30AM exactly, but with one battery loaded, and at the right distance, it can operate.


Other features:
Top-left: The wired shutter release port makes a return (after disappearing from the A230/A330/A380.) Also the common mini-B USB port is used! I presume this will work like a fast card reader, like the A100/A700/A850/A900, because scrolling through pictures is a lot faster than with the A200-A380 bodies.
Top-right: The pop-up flash has some sturdy-looking metal inside.
Bottom-right: When viewing a picture and zooming in, the magnification multiplier no longer shows in the top-left corner (even if you press Disp repeatedly.) While it was a confusing number, I don’t think they should’ve removed it. Pressing AEL/Zoom In when viewing pictures automatically takes you to a 100% pixel-per-pixel view.
Bottom-left: The new 3″ 640×480 screen is superb – it can fold down 90 degrees, never possible with the A300/A350!

Also, there is a metal strap lug on the VG-B50AM battery grip’s left side which was not there on the VG-B30AM.

One feature that seems to be missing is ISO in viewfinder – when you press the ISO button, it usually shows in the viewfinder, but here it was blank. Very, very weird.

Other changes in behavior are the AF/MF switch on the body – if you switch to MF and mount a screw-drive lens, it will not reset the lens to infinity!

Oddly, however, when you put a SAM lens in AF mode while the body is in MF, you can still auto-focus by half-pressing the shutter! This does not happen on the A200 or A900.


One of the new features was MF Check LV (Manual Focus Check Live View) – meaning you can use the main sensor in Live View, to manually focus. The secondary Live View sensor and low-resolution 2.7″ 320×240 pixel screen wasn’t up to the task on the A300/A330/A350/A380!

Thanks Huei for taking this shot of me operating MF Check LV.

A major inconvenience is that the A550 does not switch the lens to manual focus, even if it is screw-driven, when in MF Check LV mode. Instead I have to press it and then flick the switch. With SSM lenses (not SAM lenses) this would not be a problem.


Here, I used my Vivitar 24mm F2.0 DIY tilt-shift, and zoomed in 14x on the top-left and then took a picture.

To activate MF Check LV, first press the MF Check LV button (duh) and then press the AEL/Zoom In button (instead of the Smart Teleconverter button). This might not make sense at first, but it does – you can zoom in and magnify either 7x or 14x, and optionally you can use the Smart Teleconverter up to 2x.


Unfortunately, it seems that the main sensor does not use SteadyShot in MF Check LV. Or maybe I was giving it too much of a challenge at 14x magnification!

It was of course, much easier to use with wider focal lengths.


Another very cool feature – Face Detection. It finds the face and highlights it with a box. Here Smile Shutter is also on.

I love Smile Shutter – it’s a fantastic party tool, and you can use it to take group pictures without using a remote control!

If you have a recent Sony Cybershot, you may already be familiar with the Smile bar on the left. Just tell the person to smile bigger and bigger until the bar reaches the arrow (on the left of the screen) and the camera will automatically take a picture.

You can set for Slight Smile to trigger it easily. However, Smile Shutter is disabled when using an unchipped lens – what a pity, as I would love to put my Peleng 8mm F3.5 circular fisheye (M42 mount) on the A550, and leave it on the table facing up (or down) while capturing any smiles around the table automatically!


Face Detection sets the (nearest) AF point to the detected face, and adjusts exposure and white balance accordingly. Top: Face Detection off; bottom: Face Detection on. Notice that while Face Detection did adjust exposure for the face, it did so conservatively in this case (2/3rds of a stop brighter.)


There is the fantastic Dynamic Range Optimizer (Advanced and up to Level 5) that comes with the A700, A850 and A900 – you can dial it up to DRO Level 5 like in this picture!

However, it does have its weaknesses, as it tends to lower contrast.


There is the new Auto HDR (up to 3 EV) mode. It takes two shots successively, aligns them in-camera, and blends them like you would with a real HDR program! The color is a lot better than anything you could ever get out of DRO Level 5 which shows its weaknesses in certain conditions.

The Pentax K-7 version I have to say is slightly smarter – it flips the mirror up and just triggers the shutter repeatedly. On the A550, the mirror goes up and down twice, causing unnecessary vibration. However, the K-7 doesn’t automatically align the images, while the A550 does!

It might simply not be possible for the A550’s mirror to stay up while the shutter opens and closes – that is the most mechanical part of a dSLR.


Here’s one from Auto HDR at 300mm. Just don’t use Auto HDR for everything. (Try loading this in Photoshop and pulling the Levels – you’ll find it quite easy to make this look natural again.)


And, of course, because 2 exposures are made, one after the other, you should only use Auto HDR on subjects that are not moving!


What else is there, software-wise?
Top-left: Creative Styles do not include the Brightness or Zone Matching settings.
Top-right: High ISO NR has no Off setting (some might say it is a bad thing but I think they were trying to be honest that the CMOS does that on-chip anyway.)
Bottom-right: the lowest sensitivity is ISO200 instead of ISO100 as ISO200 is the base ISO for this 14.2 megapixel CMOS sensor, and they didn’t resort to overexposing and bringing down the curves like how the A700/A850/A900 achieve ISO100 on a ISO200 base sensor.
Bottom-left: Auto HDR is disabled when shooting RAW or RAW+JPEG.

Wireless TTL flash is supported without ratio control, but it cannot use the Sony HVL-F58AM nor the Sony HVL-F20AM as a commander while attached to the A550. This was kinda expected of bodies lower than the A700, unfortunately.

Anyway, the pixel-peepers must’ve been waiting for this part – high ISO 100% crops!


ISO1600.


ISO3200.


ISO6400.


ISO12800.

It seems that they have aimed for Nikon-style noise reduction – more chroma NR than luminance NR.

Personally, I would not hesitate to use ISO3200 and ISO6400 on the A550! This is amazing progress from Sony. One can only wonder what future models will bring!

Next up: pictures from the A550 on the field!

I’ll Be Back

…on Sunday the 11th of October 2009. My computer already misses me – it went into a blue screen of death and upon restarting, I found my Kingston 1GB DDR400 wouldn’t work in any of the slots, my motherboard beeping away. So now I have one third the memory, and hopefully this is only temporary!

Back From The K


Time travelling. Guess what year this was taken!


With the benefit of Fujifilm Superia ASA400, this was in 2009, through a Vivitar 75-205mm F3.5-4.5 in K-mount which I sold a while back. Most likely shot at 75mm F8.


The lens does pretty well at 205mm F4.5 (or was it F5.6?) This is a 100% crop from a 1908×1269 pixel scan, though…


Flare, mainstay of older optics.


Should be shot around F8. The light leak is from when I tried to check if the film was properly loaded by opening the back (and I forgot that I could just look at the winder!)


75mm at F5.6. And that’s all from the Cosina CT1EX K-mount body!